“Seth material” search engine (Jane Roberts)

[...] As Seth you know me as an old man, but I have been a young woman. [...]

[...] First of all, in 4 BC, as a woman. [...]

[...] This from a life in England before the German experience, and this a long life in which you were a woman and unmarried. [...]

[...] If you will forgive me, it is somewhat like a woman with very earthly desires, but strong abilities in that line, who rigorously refuses to use them and dwells instead on thoughts of their evil, holding them back simply because she realizes they are so strong. [...]

[...] There is some sexual basis in the hidden man-woman symbolism in this respect, this being on a psychic level.

[...] I want to clear up some points regarding your portrait of the old woman, that you are using in the book. [...]

[...] There was however some recognition in that you were a woman back in the 16th century in Spain and someone I knew, knew you then and so there is some point of contact. [...]

[...] A woman is shot down in the street. [...]

[...] Look at it this way: The young woman through whom I speak once stated in a poem, and I quote: “These atoms speak, and call themselves my name.”

[...] The same is true of the woman’s projection of the animus upon male relatives and friends. [...]

Each woman, child and man

[...] Jane was to call KR at a conference in Wappinger’s Falls, NY; she tried a number of times, always to be put off by a rather unpleasant and officious woman who was always saying that KR was “in conference” and couldn’t be disturbed. [...]

[...] A man from Kentucky, and woman from Vermont, and an Indian from Quebec were involved.

[...] It is worn by a woman.

[...] Dr. Instream does not hold the chain which is our object, but watches the woman who wears it.

[...] They show a beautiful woman wearing a bathing suit, standing on a beach in Florida.

[...] Marie was a brilliant, angry woman who lived in near-constant pain, and who regularly abused her daughter through behavior that, if not psychotic, was certainly close to it. [...]

[...] Creativity was to follow certain definite roads, so the woman became the villain.

[...] A woman’s name, like a variation of Mary; for example, Mary and Mary Ann. [...]

[...] Creativity was to follow certain definite roads, so the woman became the villain.

Though Ruburt was a good-looking young woman, with much vitality, he had no children, and indeed had been determined not to, for writing was the overwhelming interest in his life. [...]

[...] The same street does not suddenly become gold beneath the foot of the rich man and woman—and potholes in city, state, or government roads are felt alike by the tires of the Cadillac and the lowly Volkswagen.

Many times a woman. [...]