“Seth material” search engine (Jane Roberts)

(Jane began speaking in trance in a voice a good bit stronger than usual.)

[...] Jane’s voice continued good, eyes open often. [...]

(Jane began speaking in trance for Seth in a rather quiet voice; eyes open often, average pauses, etc.)

[...] The impressions which were given by me through Ruburt, in Ruburt’s (Jane’s) own voice, were correct, however, and I believe he will attest to this.

[...] Voice okay, and with the usual pauses:)

[...] Jane began to dictate then in a strong and somewhat deeper voice, pacing rather energetically. [...]

[...] When Jane began dictating again her voice was as strong as before, and as emphatic. [...]

(Jane maintained her strong vibrant voice when she resumed at 11:20.)

[...] Bill received a nine-word sentence of Jane’s during delivery, before she voiced it. [...]

(Once again Jane began speaking in a heavier voice, since our windows were open because of the warm evening. [...]

(Jane’s voice was by now somewhat heavier and stronger.)

[...] Her voice had become somewhat stronger, her pace good.

[...] Her voice was again stronger.)

[...] She began dictating in a fairly strong voice, and somewhat more rapidly. [...]

[...] Bill had noticed that at times he would be quite aware of what Jane was going to say before she gave voice to it.

(When Jane began dictating again her voice was quite strong and somewhat deeper, but the phenomena did not last. [...]

[...] Bill said that in his observations of Jane as she was delivering the material, she walked with a heavier tread than she usually used; that she kept her hands in her pockets, which she usually does not do; and that her voice, while within her range, was quite a bit heavier and deeper than usual.

[...] Seth’s voice boomed out loudly for the last paragraph above—and as it did so young Willy instantly snapped to attention.

To some extent Ruburt’s voice was your own voice, the voice of each of you leading you on journeys that you wanted to take. [...]

[...] Her voice was quiet and clear. [...]

[...] She resumed at a much slower rate, still in the same quiet voice, at 9:32.)

[...] When she finally began speaking her voice was higher than usual—quite a bit higher—but not as high as I remembered earlier Seth Two voices. [...]

[...] Jane’s eyes had been open some of the time, very dark; her pace had been rather fast, her voice a bit stronger than usual.)

[...] Her pace was rather slow, with many pauses, yet her voice was somewhat stronger than usual. [...]

[...] She maintained the heavier, emphatic voice, even with the pauses.

(Jane now sat with her eyes closed and spoke in a slow voice with many pauses, most of them short. [...]

[...] Jane’s voice had lost its heavier edge.)

[...] Her voice was lower than usual also. In order to check a bit on whether any telepathy was involved between us, I told Jane I had a question I wanted to ask Seth, but was not going to voice it, at least not yet.

(Jane’s voice during delivery tonight was a little stronger than usual throughout the session. [...]

[...] Her voice was becoming hoarse. [...]

[...] Jane began dictating at a rather fast rate, in a voice a little stronger and deeper than normal. [...]

[...] By the time break arrived she was speaking in a rather normal voice. [...]

(Jane resumed dictation, after a longer break than usual, in a normal voice at 10:38.)

[...] Her eyes were very dark, her voice strong.)

(When Jane said she wanted to have a session, her voice was quite unsteady in trance, and I had to ask her to repeat a number of words.)

[...] Her eyes opened often, were very dark; her voice was average, her pace again fast.)

[...] But every man has a strong, domineering and definite voice in his own destiny, and he accepts and reacts to those influences of his own choosing.

(We also discussed a letter Jane had received today from a young man who’d visited us unannounced a couple of months ago; he thinks he’s being bugged by nasty voices from outer space; before that he’d insisted that Seth was speaking through him. He still refuses to consider that his problem is a psychological one, instead of disembodied, outside evil voices picking on him. [...]

[...] She began dictation in a normal voice, with some pauses, and again without her glasses. [...]

[...] Several voices. [...]

[...] I had snatches of voices and vague pictures. [...]

[...] Children draw, play with images, with language, with the sounds of their voices creatively and artistically. [...]

[...] (To me:) You were speaking to your guest John with some evidence of dissatisfaction in your voice, some self-accusation, some irritation, wondering why as a young man you did not make greater breakthroughs in your art. [...]

It is very important, then, that the two of you maintain good emotional contact with each other, and when you are each feeling such dissatisfactions to voice them. [...]

In this book he comments on our religions, sciences, cults, and on our medical beliefs as well, with an uncompromising wisdom — as if — as if he represents some deep part of the human psyche that knows better, that has always known better — as if he speaks out not only with my voice but for many many other people — as if he represents the truths that we have allowed ourselves to forget.

The earliest poets were probably half shaman, half prophet, speaking for the forces of nature, for the “spirits” of the living and the dead, voicing their visions of man’s unity with the universe. [...]

[...] Seth must use my voice to speak and my life as reference, and certainly the contents of my mind are vastly expanded as a result of the sessions. [...]