“Seth material” search engine (Jane Roberts)

(Jane said she received a few visual images during the envelope test, but that they were not sensational by any means. [...]

[...] From Ruburt’s viewpoint he receives the visual image with auditory effects. [...]

[...] It’s further said that our attempts to describe or visualize such nonphysical qualities inevitably cause us to misinterpret them; so the artist wonders whether the atom’s movement in more than one direction at once may not be perfectly “natural” in its own environment — some sort of ability quite separate from any play we may indulge in with words while trying to consciously comprehend it.

(While giving the above data Jane had no visual material to accompany it, and said she was just as glad. [...]

You may if you wish consider the quality-depth principle as blowing like a wind through the spacious present, it indeed being like a wind in that it is known by its effects; and if you must think of it visually it would, perhaps, have a funnel shape. [...]

8. Strange — but recently I visually approached the idea of interrelated consciousnesses in two pen-and-ink drawings for Jane’s book of poetry, Dialogues of the Soul and Mortal Self in Time: I incorporated humanoid features on large rocks. [...]

[...] At the fringes of my field of vision I saw that the face containing these magnificent eyes was quite hairy, covered by long black shining hair almost as though I was visualizing a throwback to more primitive man. [...]

(See page 280 for a description of my first experience involving strong visual and bodily data while in the waking state. [...]

[...] We will attempt to mix it also with visual data. [...]

[...] Our living-room windows command a good view of our street, one of the main ones in Elmira, but a quick look told me the accident was out of our visual range. [...]

[...] Her hearing and visual difficulties were continuing. [...]

[...] He went back to his studio and I closed my eyes trying to visualize my [psychic] library;⁹ nothing, I tried again and just as suddenly I saw a woman seated opposite me [at] the living room table.”

[...] Jane on the other hand had received visual data on many inanimate objects, particularly lights, light fixtures, door fixtures, etc.)

[...] The nervous system reacts definitely to visual block images. [...]

[...] Two of Jane’s students have also visualized Seth in this form. [...]

[...] We decided to go ahead, though Jane didn’t see a book or have any visual data. [...]

[...] However, she thinks that if she were to motivate herself she could accomplish something through the formalized language of mathematics, say, but that in the beginning at least she’d acquire the information visually; then she would write it down, even while the session was in progress….

[...] Simply put, naïve realism teaches that our visual and bodily senses reveal to us an external world as it really is — that we “see” actual physical objects, for instance. [...]

(I continue my projections by writing that to a molecule of DNA the conventional notion of evolution — could such an entity grasp that idea, or even want to — might be hilarious indeed, given its own enhanced time scheme.¹⁷ Actually it would be more to the point if perhaps with the aid of hypnosis and/or visualization, we tried from our giant-sized viewpoints to touch such minute consciousnesses with our own,¹⁸ and so extend our knowledge in unexpected ways. [...]

When I look up at those three high, old-fashioned bay windows that illuminate the living room of Apartment 4, on the second floor of that house, I visualize Jane sitting behind them at her oak table, thinking and writing, intrigued and comforted by the busy patterns of people and automobiles traversing the intersection she looks down upon: Walnut and West Water Streets. [...]

[...] You, my dear doctor, are interested in visual aids. [...]

[...] We gather that he visualizes a chain of such gestalts, with each link one of greater complexity. [...]