“Seth material” search engine (Jane Roberts)

[...] I will not irresponsibly lead you into realities that you cannot trust.”

The dramas themselves do express certain inner realities, and they serve as surface reminders to those who do not trust direct experience with the inner self. [...]

(11:22.) Trusted, your feelings will lead you to psychological and spiritual states of mystic understanding, calm, and peacefulness. [...]

[...] Actually, I hoped that our almost childlike trust—which I felt was closely related to at least some of the psychological elements involved in her acceptance of the voice challenges to begin with—would make possible their complete disappearance.

[...] If you trusted the characteristics of the basic natural person, you would not need such sessions as ours, generally, in the world at all—for such knowledge would be part of it and implied in its cultural organizations, and the daily habits of the people.”

[...] If it is used because you recognize its inherent rightness in yourself, its inherent ‘superior stance,’ then it automatically puts you in a position of greater trust and faith. [...]

[...] This because he did not trust the basic right of his being as it existed, and does, in space and time. [...]

[...] According to your own belief system, you may trust the integrity of your body and instead project this guilt out upon others — onto a personal enemy, or a particular race, creed or color.

[...] I trust I am giving you enough tonight to keep you busy for a while.

I will go into all that, however, and for now will merely state that the improvements are continuing, and that his trust in them is paramount. [...]

[...] Jane has also been helped a great deal.] So our aim with the Seth books is to let Seth have his say, to add some thoughts of our own, and to trust that the feelings and meanings in all of this will evoke beneficial responses in each reader. [...]

[...] The two of you — for you are both involved — have not only initiated a new framework from which you and others can view the nature of reality more clearly, but you also had to start from scratch, so to speak, to get the material, learn to trust it, and then to apply it to your own lives — even while ‘the facts were not all in yet.’ At no point did you have all of the material to draw upon, as for example, your readers do at any given point. [...]

[...] His performance, Joseph, was extremely heartening, since he trusted his own intuitions this time; that he did not pound his head against the wall, as in the past. [...]

(“It’s vague now: Americans not trusting creative thought unless it applies specifically to practical considerations.... [...]

Therefore, within this context you trust treat your living things gently. [...]

[...] The sculptors do not trust him. [...]

[...] He did not trust Ruburt’s overall consistency, you see. [...]

[...] He was basically childlike, trusting not people however but nature. [...]

[...] So you have been told to trust your conscious mind, while at the same time you were led to believe it could only be aware of stimuli that came to it from the outside physical world.

Now in a way your mother and Ruburt were counterparts; for Ruburt lives in a trust of individual abilities toward which your mother yearned; and Ruburt gives a love to you which your mother yearned to give — yet while retaining her identity — to a man. [...]

[...] You have been taught not to trust the very fabric of your being. [...]

Ruburt should trust and rely upon his intuitional nature, for it is sturdier and more reliable than he knows.

[...] Nor can this erasure occur without the realization by this personality that he can indeed trust himself. [...]