“Seth material” search engine (Jane Roberts)

[...] This chair (indicated), being used to get from room to room, was at that point creative, and it got him involved in the household again, and greatly added to the exercise given the legs over the entire day, for sometimes he walked to the bathroom three times in the winter, but for the rest of the day his motion was most limited.

[...] A strange feeling, after three years....

[...] Three staff did Jane’s vitals. [...]

[...] Interestingly enough, one of the three anthropologists heading the expedition is Dr. John M. Lonyear 3d, of Colgate. [...]

The unusual event I mentioned occurred I believe about three this afternoon, or he learned of it then.

[...] It is as if you threw a ball, and could only follow the ball three inches away in space—then the ball would seem to vanish to you. [...]

[...] The exercise he read of, done three times daily, would benefit him. [...]

Your psychic strength is extremely important, Joseph, in our communications; and without it adequate communication would be most difficult; because we three have been closely involved in the past, the psychic gestalt between us is possible. [...]

[...] Between them on the wall was a drawing of Jane’s, matted in a gray-white matte perhaps three inches wide. [...]

[...] Office used at various times by three men.

[...] He has three children. [...]

He was three times a woman.

[...] The optimistic remarks had come through the Ouija board in the first two or three sessions; none of them had materialized, and in the light of Seth’s recent material on distortions Jane and I had thought distortion the reason for this failure.)

[...] Testing, one, two three; if you will indeed forgive my attempts at humor. The number three in regard to the bonus. [...]

[...] It was to the effect that within three years Jane and I would have our own house.

If you will remember the three creative dilemmas discussed in our past session, you will see that we have here the reason for our self-perpetuating universe, the reason for termination within it, and the inherent necessity for change. [...]

Trust your impulses, and underscore that line three times, for again they represent your close connection to Framework 2’s activity. [...]

[...] There is a man it seems, somehow three times removed, but not related with any symptoms on Ruburt’s part. [...]

“Three: I will remember the creative framework of existence, in which I have my being. [...]

(This morning I mailed the first three Cézanne books, of the 25 we have on hand to send out to artists, reviewers, etc.

(Tonight we started the sessions up again after a three-month layoff: During that time I typed the final manuscript for Volume I of Seth’s “Unknown” Reality, with Jane’s help, and we’ve just mailed it to her publisher, Prentice-Hall, Inc. [...]

This does not mean of course that you must helter-skelter have a burst of interviews of visitors—but after three or four encounters with people of any supposed authority, Ruburt is then in a position to make new decisions on such matters, based on current knowledge and his own preferences: and he will no longer avoid such adventures out of fear.

[...] This is not a good analogy particularly, but it is as if you received an important communication, say, three paragraphs of great import, with all the individual letters appearing, but not in their proper sequences, and gradually the letters would float together to form the proper words, and then the words would float together to form the proper sentences, and so forth.

The concept will not fit into three dimensional terms. [...]

There seems to be a potential change of interest for you, loosely within a three-year period. [...]

[...] Then there’s Jane’s business and personal correspondence; much of her poetry; her journals; her unfinished autobiography; several novels she wrote before publishing the three Oversoul Seven books; the later essays she dictated to me, while in the hospital, about Seven’s childhood; her family history as far back as it can be researched; an objective biography of her physical and creative lives including her two marriages, and Jane’s and my struggles to survive before the advent of the Seth material. [...]