“Seth material” search engine (Jane Roberts)

[...] In a voice quite a bit deeper and stronger than usual, but not as overpowering as I’ve heard it be on occasion, Jane began to express a series of very “long,” drawn-out syllables. [...]

[...] We are the inner motion —” I couldn’t decipher the last syllable or word.)

[...] In the same high voice she began stressing as separate units many of the syllables of the words she spoke. [...]

[...] They weren’t loud but very melodious and softly syllabled. [...]

(As Seth, Jane was enunciating the material very carefully, almost syllable by syllable, as though to give me time to write down without error. [...]

[...] During the past hour or so, however, the first syllables of a word—“grund...” [...]

[...] The chant, however, the vowels and syllables used in pronouncing the chant, are highly important and evocative. [...]

[...] We speculated about Foch or Foche; Jane said the name was one syllable with a softer sound than Fox—hence Foss. [...]

of unspoken vowels and syllables,

2. In Personal Reality, see sessions 623–25 in Chapter 5. In Oversoul Seven, see the material in Chapter 12, for example, wherein Jane described not only the airborne movement of objects — rocks — but an “extra tension” in the air itself, “as if a million vowels and syllables rose into the air, all glittering, all … alive; like animals of sound….”

[...] In Volume 1, see not only Session 681 between 10:22 and 11:47 for data on one of her massive experiences, but that session’s accompanying Appendix 3. Then in this section of Volume 2, see both Note 9 and Appendix 19 for the 712th session, concerning material on Jane’s long-sound trances; during one of these it could theoretically take her a week — or a century — of our time to pronounce just one syllable of one word.

[...] A nasal voice, he used frequent extra breaths between words or sentences and many ahs between words, you see, or syllables, as: well—ah—.

They do not read or write, yet they speak complicated syllables that communicate to other beings such as yourself anything from a simple feeling to the most complicated information. [...]

[...] And when he speaks to him in syllables, he does not speak clearly. [...]

[...] The atoms and molecules were alive, aware—they were no longer simply a part of a divine syntax, but they spoke themselves through the very nature of their being (gesturing). They became the living, aware vowels and syllables through which consciousness could form matter.

[...] (Each syllable was so carefully and separately pronounced.)

[...] Her pronounciation was something like Dek-a-tur, with the accent on the first syllable.

[...] First of all, it breaks up verbal patterning.⁹ It is composed, however, of sounds and syllables Ruburt has heard before, made up of jumbled Romance languages.¹⁰ These are “foreign” as far as he is concerned. [...]

[...] At times it had a hard-to-describe singsong quality, emphasizing certain syllables and elongating them. [...]

“We taught man to speak before the tongue knew syllables. [...]