“Seth material” search engine (Jane Roberts)

[...] That is, long lines that are straight, perhaps two of these, and of dark color I believe, or dark red. [...]

[...] Jane said the straight-across lettering, Key Value, is in the position of the horizontal lines she saw within. [...]

[...] That is, long lines that are straight, perhaps two of these, and of dark color, I believe, or dark red. [...]

(My drawing contains lines that are horizontal and straight. [...]

[...] When you throw this ball however it does not only go outward in one straight line thusly—

[...] Now she thrust an arm straight out toward me.)

Not only are you blind beyond a certain arbitrary point, so that the straight line seems cut off and the action completed, but you are blind to all the other directions, you see, that our ball could and does take.

(“Straight.” [...] Lumber usually being straight as opposed to crooked.

[...] Straight. [...]

[...] Jane leaves rocker for straight chair.

[...] He checks the impulses—now, he checks the natural impulse—to throw his arms out straight away. [...]

[...] Jane said that while I was shopping today she’d dreamed or felt herself walking around the card table—not perfectly straight, but as though testing her weight upon her legs. [...]

[...] It would make little difference, and this applies to each of you, whether you worked 12 hours for three days straight, or whether you worked more regular hours. [...]

This sort of experience involves a sudden psychic awareness, straight from the entity, that all boundaries are for practical purposes only. [...]

[...] You make a simple straight path in the proper direction. [...]

[...] I explained, and she seemed to get it straight. [...]

[...] In actuality they lay straight on the bed.

[...] When he did so, Ruburt mentally saw a long “heavy” beam extending straight to the west from a point between his eyes. [...]

7. Of the books on astronomy that I’ve read (and I’m way short of scanning any great number of them, obviously), only one contains a brief mention of a similar notion in connection with space travel — that is, journeying almost instantaneously in a straight line between planets instead of following the relativistic curve of space. [...]

[...] She felt the transmission go out from her forehead in a straight line toward its destination. [...]

[...] “I’m going along in a straight line, and then boom, it’s gone, and I start coming down.”

[...] I said that the spectacular results obtained had seemed to come straight out of Framework 2. We also discussed the long essay on early man in Time for November 7, and I remarked that I’d like to ask Seth some questions about the state of our present “knowledge” about our heritage.

[...] John was having trouble keeping a straight face. [...]

[...] Imagine it limp and soft, and then hard and straight, you see. [...]

[...] It may be a straight-forward answer —or a poem or a phrase that at first seems to make no sense. [...]

(Late yesterday afternoon my pendulum told me that Jane’s symptoms stemmed from her feeling that she had failed to become a successful “straight” writer—a novelist, poet, essayist, et al.; that she felt she had failed as the serious writer she had always dreamed of becoming, that the psychic work represented a turning down a wrong path; that actually, basically, the psychic work represented failure to her rather than success. [...]

As a writer for example, alone, he does not feel a responsibility (underlined) to write every kind of book possible: gothics, mysteries, science fiction, poetry, essays, straight novels. [...]

[...] You will compare your own life and work often in a critical fashion to artists who were obsessed with one art from the beginning of their lives, or who pursued what is really a kind of straight and undeviating course—a brave courageous one, perhaps, and highly focused, but one that must be in certain respects (underlined) limited in scope and complexity, not crossing any barriers except those that seem to occur strictly within painting’s realm itself (all intently. [...]

[...] The drawing used as object contains many lines, few of them straight. [...]

(“The impression now of looking down, from a high position…” This is an excellent description of my position in the second-story studio, looking quite straight down as I sketched Jane on the lawn. [...]