“Seth material” search engine (Jane Roberts)

[...] Your creative abilities do not simply allow you to paint pictures, to tell or write stories, to create sculpture or architecture. [...]

[...] You tell stories and parables. [...]

The next chapter will give the story of our meeting, you (to me), Ruburt and I, from my viewpoint of course, and the ways in which I contacted Ruburt’s inner awareness long before either of you knew anything about psychic phenomena, or my existence.

[...] By now the story of that book’s conception is well known: Late one night in 1959, Dick was walking beside a canal near a West Coast beach when he heard a voice say, “Jonathan Livingston Seagull.” [...]

[...] Scary stories abound about our nuclear dilemmas, ranging from tales of poorly designed plants, control rooms, and instruments, to the failure to promptly report potentially serious accidents, to the fact that in 1978 every one of the country’s more than 70 nuclear power plants had at least one unexpected shutdown because of procedural errors, mechanical failures, or both. [...]

[...] Facts are only accepted fiction, of course, but the ideas must make sense and fit into the accepted “story.”

Three friends and a story of disaster, though not that strong. [...]

(The story of what we’ve been up to the last few days can be found in Jane’s records of her pendulum sessions since March 28. [...]

[...] I’m sure there is more of a story involving the fingers than we have yet learned. [...]

(Add Data—October 11—call to Jane from Timothy Foote, of Time Magazine —re cover story on Dick Bach. [...]

[...] He will completely recover, and then his story will have meaning. [...]

[...] Now while I tell this story humorously, you must understand that the man’s belief brought it about, and so to set him free, we worked it through.

When he has not sold any stories or books for a while, then he looks around for other ego satisfactions in the outside world, in other fields, for which he is actually not willing to pay the price. [...]

(Recently we have been moving all of Jane’s old poetry, novel, short-story, psychic, and other manuscripts and notes, dating back to her grade-school work, out of the upstairs storeroom into our roomy front-room closet. [...]

[...] I still felt we didn’t know the whole story about the eyes, as well as the other symptoms, and that Jane may have inhibited some material on those topics.

(10:28.) The methods, the secret methods behind all of the religions, were meant to lead man into a realm of understanding that existed apart from the symbols and the stories, into inner realizations that would take him both within and without the physical world that he knew. [...]

[...] This in turn is “later” discarded for one still less physical, but the idea of the form is so important a symbol that you carry it through all of your religious literature, and stories of hereafter.

Because events do not exist in the concrete, done-and-finished versions about which you have been taught, then memory must also be a different story.

[...] The story told by the driver upset early sexual feelings, and all of this together caused his difficulties. [...]

[...] While others can tell themselves stories, or be content with rationalizations, neither of you could take that road. [...]