“Seth material” search engine (Jane Roberts)

7. In Session 594 for the Appendix of Seth Speaks, see Sue’s material on how she sensed Jane’s and Seth’s “speeds” — as well as her own.

[...] Her voice grew somewhat heavier and stronger as the delivery progressed, and her pace speeded up.

[...] I found the low results difficult to believe; they speak volumes (the pun is deliberate) about the great speed that creativity — at least Jane’s — can show under certain conditions. [...]

[...] But given her abilities, I think her speed of production is a close physical approach to, or translation of, Seth’s idea that basically all exists at once — that really there is no time, and that the Seth books, for example, are “there” to be had in final form for just the tuning in. [...]

[...] Doing things that way will speed up the publication date.” [...]

[...] So is the speed of delivery, for that matter. [...]

[...] Jane began dictation on time; her delivery was slow at first, then speeded up; her pacing was slow also, her eyes dark as usual.)

[...] I started noting down her experiences, but missed out on some of her descriptions because of the speed with which she talked. [...]

(True; I had taken down the last few pages at top speed.)

[...] As the meaning for the words, that meanings that you understand, as the electromagnetic realities that speed out from Ruburt’s lips, and all of these things you register and understand. [...]

[...] Thoughts, dreams, purposes and intents, plans and wishes are constantly speeding outward from the core of self unimpeded. [...]

These constructions exist definitely in terms of atomic structure, but of such different densities and speeds that you are unaware of them though they are perceived by the inner senses, and utilized by the subconscious and inner self as a very important reality.

[...] Her voice was at a normal pitch, her pacing regular, her speed of dictation normal. [...]

[...] We feel that we can do little to speed up this process of eliminating distortions, as they occur. [...]

[...] Actually, I was just about managing to keep up with her speed of dictation, but disliked interrupting to ask her to slow down since Seth was obviously in a rare mood—as witness his hopping, almost excitedly, from one topic to another. [...]

(I had been trying to keep an eye on Jane’s features, but her speed of dictation kept me too busy for more than an occasional glance. [...]

(Jane’s eyes had been opening again and her pace was speeding up. [...]

[...] His love was for machinery, the speed of motorcycles, mixing creativity with metal. [...]

[...] She began rather slowly, then picked up some speed.)

(The specific affair Peg described that evening concerned the arrest of the doctor’s wife on a drunken driving charge, speeding, etc.

I wrote in the Introductory Notes that I thought Jane’s speed in producing the Seth material was “a close physical approach to, or translation of, Seth’s idea that basically all exists at once — that really there is no time …” I’ll add here that the phenomenon of double dreaming can be another way of approximating the idea of simultaneous time (or lives), about which we as physical creatures always have so many questions.

[...] I was aware that we had run past first break, since my hand was beginning to get weary; Jane’s delivery had also speeded up.

[...] Here the pace began to speed up as the two talked back and forth, and in the interests of spontaneity, and because this was a new development in the sessions, I made no attempt to slow Seth down, nor to record every word Seth or Dr. Instream spoke.