“Seth material” search engine (Jane Roberts)

[...] I say what I say and I say more than you hear and yet you hear me silently. [...]

[...] I did explode at its end briefly, however, and Jane sat silently while I ranted and raved. [...]

The session, to answer Ruburt’s silent question, will work no magic by itself. [...]

(Beginning at 11:14, Jane sat quite still and silent for well over a minute.)

Our silent cat lover...

(I then became aware, at 11:00 PM, that Jane had fallen silent. [...]

First of all, when he cried out silently for you during a recent psychological time experience, it was because he sensed, through inner communications, a situation concerning a death in which he would need your support. [...]

(Walking into the living room before preparing for bed, I was surprised to find Jane standing silently at her desk. [...]

I’d looked for the shape of a rabbit last night, hopping across the silent road like an upright shadow casting a shadow, as I’d seen one do the other evening. [...]

[...] In the warm evening the silent road still ran uphill past the house and into the woods. [...]

[...] When she did leave trance Jane said Seth “spoke to us silently,” and debated as to whether to speak further this evening without notes on my part. [...]

(As usual we began by sitting silently at the board.

[...] And guilt can be a very silent and quiet and passive and gentle thing indeed. [...]

[...] Nor does it particularly matter if the witness remains silent; Jane still picks up elements of that “extra” personality, and reacts to them.

[...] Jane said that while she sat silently she felt as though Seth was somehow focusing “sideways” on the candle.

not a ball of fire, but a silent

Sat in silent exhibition

(Also November 9, Monday, 7 PM: In doze, asked silently if I was being warned about a death. [...]

(To open the session, we sat silently at the board. [...]

[...] First, until now my internal perceptions have staged themselves like old silent films; second, the sound itself was quite unusual: The clustered troops on the ground were emitting a low rhythmic chanting or wailing. [...]

[...] They were, in fact, inaudibly a part of each heard melody, and those unheard variations added silent structure and pacing to the physically actualized music.