“Seth material” search engine (Jane Roberts)

[...] If you could see the body as it exists within the electric field, you would certainly not recognize it, for its shape would bear no resemblance to the physical shape as you know it. [...]

The physical body, in other words, exists as an electrical body that is not material, that has a peculiar mass but no weight, whose characteristics are apparent in terms of not varying shapes, but varying intensities and concentrations of electric force. [...]

(“A cross shape.” There is a large cross shape toward the bottom left corner of the envelope object:

A cross shape. [...]

[...] A miscellany of shapes that all point toward one direction. [...]

(“A miscellany of shapes that all point toward one direction.” [...]

(Pause at 10:15.) Dr. Instream is thinking of a class ring, with an insignia, that is shaped something like a flag but is not a flag, and has a connection with 27, or the year 1927.

[...] A looming shape. [...]

[...] A steeple shape. [...]

(“A looming shape… literal or symbolic… as an unpleasant event could be seen to loom ahead.” [...]

[...] Subconsciously your reasoning went like this: “If I were any shape of a man, the hand would bring me what I wanted.” And translating this into literal terms, you changed the shape of the penis.

[...] Here again, the shape of the penis.

The manipulations here should be obvious, and they result again in the shape of the penis. [...]

[...] There is a connection with this item and a dog’s head, or dog-shaped head. That is, an animal head either symbolized on the item, or in the shape of it. [...]

(“A large circular shape on a rectangular shape on a rectangular pattern, and movement. [...]

[...] A large circular shape on a rectangular pattern, and movement. [...]

The large circle shape was vaguely connected. [...]

[...] If you can think of your present idea of identity as if it were but one shape or one motion of a moving particle, a shape or a motion that never loses its imprint or meaning, then you could also see how you could follow it forward or backward to the shape or motion taken “before or afterward.”

You could retain the identity of yourself as you know yourself, and yet flow into a greater field or wave of reality that allowed you to perceive your own other motions or shapes or versions. [...]

[...] With decorations that seem spider shaped.

(“And a distant connection with a skull or skull shape.” [...] These hats throw their faces into bold relief, and give a skull-like or egg-shaped look.

(“The impression of some round shapes on it, or connected with it, of orange.” The dish photo on the page 12 side of the object contains round shapes, for instance, but in shades of gray and in black only.

[...] Connection with a disturbance, and a distant connection with a skull or skull shape. [...]

The impression of some round shapes on it, or connected with it, of orange. [...]

[...] A star shape. [...]

A connection with a high ledge shape, as one connected with a roof, or lookout from which one can look down and away.

[...] We believe this data is reinforced by the “high ledge shape” data given later, and that it refers to my studio, wherein the page of manuscript used as object was written. [...]

(“A star shape. [...]

[...] You sense the overall shape of the book, often clearly, but because of the workings of functional consciousness, when you must focus upon a particular passage, that focus necessarily precludes the overall vision at the same time.

[...] This accounts for many of the conflicting reports as to shape, size, and color. [...]

What they do is take quick glimpses of your plane — and hold in mind that the saucer or cigar shape [often] seen on your planet is a bastard form having little relation to the structure as it is at home base.

[...] Matter is the shape that basic experience takes when it intrudes into three dimensional systems. Matter is the shape of your dreams. [...]

[...] She was aware only of the shape of the head, as it began to move closer toward her. [...]

2. Imagine that each card is a little different in shape or size from the one below it so there is a progressive change from the bottom of the stack to the top. [...]

[...] And with shapes that appear like high buildings or a skyline of a city.

A bucket shape. [...]

[...] Dark circles like black button shapes. [...]

(“A rectangular item of paper, perhaps the shape of a postcard and the size.” [...] It is also the shape of a postcard, and nearly the same size. [...]

A rectangular item of paper, perhaps the shape of a postcard and the size. [...]

[...] In July 1964 Jane worked at the Arnot Art Gallery, and Caroline Keck and her husband Sheldon spent some time there then, putting the gallery’s collection in shape. [...]

[...] An identity is not a thing of a certain size or shape that must always appear in one given way. [...] As there are different shapes to physical objects, then, so identity can take different shapes — and basically those forms are far more rich and diverse than the variety of physical objects.

(Pause.) In the same way, quite separate identities can merge with others in a give-and-take gestalt, in which the overall intent is as clear as the shape of the table. [...]

[...] I do not feel invaded by the selves or identities that compose me, nor do they feel invaded by me — any more than the trees, rocks, and grass would resent the mountain shape (intently) into which they have grown.

“Then the hand began to change its general proportions and resembled a pawlike shape. [...]

“Slowly the hand regained normal shape. [...]

[...] Then it resumed the pawlike shape. [...]

[...] At the same time, the shape of the skull changed, the hair grew shorter and fit about it much more closely. [...]

[...] They were worried about Art Kendall who was in no shape to drive, so they followed Kendall’s car out of Watkins Glen. [...]

[...] A rooflike shape. [...]

[...] More development on the above data, the loose pepper could assume cloudlike shapes with the envelope, etc.

(“A rooflike shape.” [...]

(In a few moments I seemed to visualize a pyramid shape that was based on pictures I remembered of the actual structures in Egypt. [...]

[...] It was as though I could see this shape especially well while listening to the gong sound, which was quite prolonged actually. [...]

(She saw a structure like a pyramid shape. [...]