“Seth material” search engine (Jane Roberts)

Your own thoughts have a reality that you do not understand, and their own kind of form, or psychic content, and this content exists not as pure energy, but as energy with form and shape. [...]

With the full use of the inner senses, however, it is theoretically possible to perceive all the shapes and forms that have ever been, or will ever be, adopted by the atoms and molecules that compose the particular chair. [...]

[...] Long and narrow in shape.

[...] This came through in answer to my second question, concerning the shape of the object. The data can fit either the envelope object itself, or the picture of the dead priest referred to above under “cross shape,” etc. [...]

[...] At least, shapes that appear in this manner. [...]

[...] A cross shape, or something canceled, or wiped out or done. [...]

[...] It might be said the abstract shapes of the letters in Portland, Maine, within the circular postmark, are angular. Of course the letters are not in line, being confined within the circle shape. [...]

[...] An oval shape or scene.

(“What’s that about the oval shape?”)

[...] “The last time I did—some months ago—I thought I looked terrible, with a double chin and my face bloated all out of shape....” I told her her face wasn’t bloated out of shape, that it looked much better, and that she appeared to have a double chin because of her position in bed. [...]

[...] I told her that I expected her to be in good shape when I got her home again. [...]

[...] As there are different continents, islands, mountains, seas, and peninsulas, so the psyche takes various shapes. [...]

[...] When you travel through the psyche, you will also discover that your own time is automatically squeezed out of shape. [...]

[...] The watch itself might change shape, or turn heavy as a rock, or as light as a gas, so that you could not read the time at all. [...]

(Then suddenly my own body and the room and John and Rob, the whole bit, began to get larger and larger, really massive, my body along with everything else, and at the same time, eyes closed of course, I felt the shapes doing this. [...] Everything retained usual shape, for example, only grew and kept growing to massive degrees. [...]

[...] Objects were actually sensed as shapes and forms of volume and weight (?) not sure of weight. [...]

I have the impression of a solid-appearing rectangular shape, in the center of a larger white object. The smaller one made up of small shapes which have been interpreted as script.

[...] She had an image here, of small even words on a rectangular shape; but my questioning could not elicit whether she could distinguish, here, between type, script, etc., on this rectangular shape. [...]

(“I have the impression of a solid-appearing rectangular shape, in the center of a larger white object. The smaller one made up of small shapes which have been interpreted as script.” [...]

Now I have the impression that the shadow-shapes are like a latticework of leaves, with the sky behind them. I do not know if this is literal, but it is the impression I get from the shapes.

(“I have the impression of a circular shape, with a smaller square in the center. [...] As stated the ribbon had somehow become much flattened out, but before this the two bows would be circular in shape. [...]

[...] A cube or square-shaped object like a dice. [...]

[...] The shape of an ice cream cone. A pyramid shape.” As noted, Jane coupled this data with a large gesture of a triangular or pyramidal shape. [...] The maple leaf is roughly of a pyramid shape.

[...] The shape of an ice cream cone. A pyramid shape.

(Her eyes still closed, Jane reached out with her right hand and made a large gesture of a triangular or pyramidal shape.)

[...] You form the reality, the shape, of thoughts, for they have shape, in much the same way that you breathe; and you have as little control of them, once you have created them, as you have of your breath.

Thoughts have what you may term color and shape, as well as electromagnetic structure and intensity. [...]

(“A miscellany of shapes arranged in a row.” [...] Due to the long narrow shape of the lamp shade, the objects fastened thereon end up arranged in a row.

[...] I saved it because of its interesting color and shape, and the fact that its points were as sharp as ever. [...]

[...] And a connection with something round and red, of apple shape.

[...] Alphabets are nevertheless tools that shape and direct perception. [...] To this extent they shape your conceptions of the world that you know.

[...] At its best (underlined) impressionism achieved a certain focus unknown to Western art up to that time, in your terms, offering a breakthrough from cohesive objective form into the moving vitality that gives objects, say, their durability and shapes their images.

Using the art form, the artist in a strange way broke through line, destroyed what would seem to be the literal continuity of the objective shape. [...]

I insisted on using phrases meant to put him back on the right track, by saying that the woman shapes were shapes, but I could not get this through clearly enough. [...]

[...] The impression has to do with shapes. [...]

The impression again of the rectangular or square shapes in a series at the bottom, across the bottom (gesture), surrounded by darker areas. [...]

(“Something that resembles a shield in shape, with inscriptions upon it.” We suppose that since shields are of many shapes, this can apply to the shape of the envelope object. [...]

[...] Something that resembles a shield in shape, with inscriptions on it. [...]

[...] A rectangular shape, with an indentation that could suggest a border. [...]

[...] “The O, I believe, is simply a shape, that is, a circle shape.” The ceramic cat is composed of forms circular in shape. [...]

[...] The O, I believe, is simply a shape, that is, a circle shape.

Perhaps yellow in the center of a slightly rectangular shape, outlined in green. [...]

[...] An oval shape, or eye shape—that is, this kind of an eye, you see (her eyes closed, Jane pointed to one of her own) inside of a rectangle or triangle.

(“An oval shape, or eye shape—that is, this kind of an eye, you see, inside of a rectangle or triangle.” [...]

A tree, or tall tree shape. [...]

[...] Egg-shaped as a thin oval line just inside of a rectangular card.” [...] There is no oval shape just within its borders however, either literal or implied, although there are several oval shapes within the picture on the card, as well as the circular postmark on the back. [...]

[...] Egg-shaped (pause) as a thin oval line just inside of a rectangular card.

[...] In any case the impression of a round cancellation shape. [...]

(10th Question: What’s the shape of the object? [...] Here I meant the shape of the envelope object; Seth could have referred to the larger object containing the colored squares, however, because I did not make any distinction. [...]

I was after this mountain shape, which seemed to be triangular, a triangle with the feeling of height, or the apex or high point of an episode.

(“What’s the shape of the object?”)

(6th Question: What shape is the object? [...] The cube shapes, and the impression of a rectangular shape also. [...]

[...] The cube shapes, and the impression of a rectangular shape also.

(“What shape is the object?”)

These are not sharp images, but he already begins to build up ideas of shape and form. [...] He is aware of light and shadow, of shape and form, though he must learn to distinguish these portions from the available field of reality that you accept as objects, from the available field that you do not accept as objects.