“Seth material” search engine (Jane Roberts)

[...] It is a book of facts as they must be interpreted for your comprehension; and that last sentence is extremely important, for they must be interpreted and translated into terms that are comprehensible to you.

[...] Seth gets back on the track in the next sentence. [...]

[...] I will say this next sentence, and sometime later it will become more clear. [...]

[...] Now in trance, Jane was going through these complicated sentences without trouble, even indicating punctuation.)

[...] She held it to her forehead for a sentence or two, then lowered it to her lap.)

[...] You can live more than one life at a time — in your terms now — but that is a loaded sentence. [...]

At the time, no one thought anything in particular about Seth’s last sentence. [...]

[...] I then had many instances of hearing voices—sentences, or bits of conversations, some quite involved. [...]

(“Seth, of course, not only dictates his magical material — the session — but must keep the whole session in mind while doing so, so that each sentence as he delivers it makes sense compared to its predecessors, and those to follow. [...]

The sentence is really meaningless, however, because the physical senses are themselves camouflage. [...]

(Jane paused at 10:12, took a sip of wine without appearing to open her eyes, then gave voice to the last sentence above. [...]

[...] She held it to her forehead for a few sentences, then lowered it to her lap.)

[...] One sentence read, “Or better, send on some notes from the original Seth material, and maybe we can consider that as advance work for a contract.”

[...] If you recall several dreams, jot down a quick sentence about each, then add the details. [...]

[...] Jane said the sentences making up this message were so long and involved that she made no effort to pay any attention to them while voicing them. [...]

[...] Whereupon Seth repeated his last sentence three times. [...]

[...] At these points, whole conglomerations of new self-units come into being, their origin sparked, as given in the last sentence. [...]

[...] The color red, large flowery first letters, open sentences or paragraphs.

(I think it more than a coincidence that in these excerpts from Seth Speaks, Seth mentions Darwin’s theory of evolution and the Biblical story of creation in the same sentence, for those systems of belief represent the two poles of the controversy over origins in our modern Western societies: the strictly Darwinistic, mechanistic view of evolution, in which the weakest of any species are ruthlessly eliminated through natural, predatory selection, and the views of the creationists, who hold that God made the earth and all of its creatures just as described in the Bible.

5. According to my interpretation of this sentence, Seth stops short of telling us that in our reality all species — man, animals, and plant life (and viruses and bacteria too, for that matter) — developed from a single primordial living source. [...]

[...] Once in a while Jane or I recast his sentence structure for clarity’s sake, or we eliminate a repetitive phrase — for all of this is verbal work as opposed to prose work, which can be easily revised on the spot. [...]