“Seth material” search engine (Jane Roberts)

Now imagine the idea, not of triangle, but the idea which has the shape of a triangle, being then expressed in architecture, in a philosophical dissertation, in color, in a sculpture, in a poem, in a painting, in music, and also in so-called natural phenomena such as the shape of a rock, the angle of a shadow, a portion of a crystal, a tree branch.

[...] The particular, brilliant, intensified flowering of painting and sculpture that took place, say, in the time of Michelangelo (1475–1564) could not, in your probability, have occurred after the birth of technology, for example, and certainly not in your own era, where images are flashed constantly before your eyes on television and in the movies, where they are rambunctiously present in your magazines and advertisements. [...]

Now: An artist does the same thing in different terms, when he or she imagines the probable versions that a painting, or a book or a sculpture, for example, might take. [...]

[...] She had the feeling Seth wanted to say it was rock; the other day Jane had the conscious impression that it was tin or galvanized metal, of the sort Bill Gallagher uses in fashioning some of his modern sculpture.

[...] If you asked someone else, this individual might say instead: “New York City has the finest of museums, open-air concerts in some of the parks, fine sculpture, theater, and probably the greatest collection of books outside of the Vatican. [...]

Like sculpture forms

[...] Pretend, then, that you possessed within yourself the knowledge of all the world’s masterpieces in sculpture and art, that they pulsed as realities within you, but that you had no physical apparatus, no knowledge of how to achieve them, that there was neither rock nor pigment nor source of any of these, and you ached with the yearning to produce them. [...]

[...] Sculpture does not, for reasons that I will go into at a later time. [...]

[...] A purchase of an item that is like a small sculpture. [...]

[...] On the back of the object Marilyn Wilbur had written April 4, 1966, as well as the name she had given her ceramic sculpture. [...]

[...] I have mentioned the advantages of a painting over a piece of sculpture, and an idea not fully captured will find further expression.

[...] Besides selling painting supplies, the Art Shop sells a variety of gifts—ceramics, books, frames, paintings, prints, sculpture, postcards, etc.

[...] Also the impression of a small ceramic sculpture, of two people, and colored. [...]

A purchase of an item that is like a small sculpture. [...]

(“In St. Thomas on the following Monday, we bought a small sculpture of a bird.”)

[...] He compares the body in one session to a sculpture “never really completed, the inner self trying out various techniques on its test piece. [...]