“Seth material” search engine (Jane Roberts)

[...] The qualities for which you shall become known will be somewhat the result of your psychic development also. [...]

[...] All of these sounds merged together, intensified, while each retained its own unique quality.

[...] The negative and bitter qualities of personality came fully to the fore, uncompromised and unredeemed by the fulfilling and creative functions that they had also smothered.

All in all, the intellect plays some part, but the intuitional qualities are most important. [...]

Perhaps this diffused quality is the most important difference (from your point of view) between an apparition and a physical form. [...]

(“Next came the feeling that this inside quality was so inconceivably vast that within it was all of the ever-expanding ‘space’ possible; only an inside could possess those characteristics of constant expansion.

[...] She maintained these qualities all through the session.)

[...] The very nature of your painting is, and must be, determined by the quality of your mind, which is inquiring, which refuses to be cramped, which piles questions upon questions, while you think that the artist should ideally ask no questions at all. [...]

[...] Even the quality of that action is of a different nature.

[...] She has solved the problems that she set, and brought forth in her husband compassion and understanding—qualities that greatly help in his own development. [...]

[...] If a personality believes that it is doing a poor job in a male life, it may activate the anima’s qualities, taking on the characteristics of a past female existence in which it handled itself well. [...]

[...] There are kinds of perception with which you are not familiar, worlds in which your idea of light does not exist, where almost infinite gradations of thermal qualities are absorbed in terms of sensation, not of light.

[...] The overall intentions and characteristics of the personality will determine the quality of perception and understanding. [...]

(Yesterday’s “Jane” session seemed to run itself, to take place outside of time as we usually think of that quality. [...]

[...] For me they had a most unique, thrilling, immediate quality, and strong emotional involvement. [...]

The choice was made and is always made by the inner ego, who does this appointing according to his knowledge, or its knowledge, of the personality’s qualities. [...]

[...] The unsafe quality showed two faces. [...]

[...] Each species, again, then, is not only concerned with physical survival and the multiplication of its members, but [with] an intensification and fulfillment of those particular qualities that are characteristic of it.

[...] But the subconscious knows that the quality of life for that individual involves such exhilaration, and such a person literally chooses that rather than, for example, what someone else might consider a well-balanced long life.

[...] The ancient mother-goddess concept became “unconscious”; the male, purposely forgetting the great natural aggressive thrust of birth, took physical aggression and force as his prerogative — for this came to represent the quality of ego consciousness in its need to physically manipulate its environment.

[...] The left hemisphere, being more analytical and intellectual, would have dreams embodying those qualities; the more creative right hemisphere would have dreams involving symbols, the arts, and the emotions.

[...] I said this before, and you have never really followed through, but if Ruburt would note down whatever feelings of release he has, or whatever improvements he senses, and if you would both recognize those as accomplishments, they would greatly improve in number and quality. [...]

[...] If they seem occasionally insubstantial, it is because their substance is of a different quality.