“Seth material” search engine (Jane Roberts)

The question, “What is wrong with me?” will only lead you to create further limitations, and to reinforce those that you do have, through exaggerating such activities in the present and projecting them into the future.

[...] In such a way at least you are not using the past to reinforce your limitations, or projecting them into the future. [...]

[...] Perhaps her method of presentation was in keeping with Seth’s own pronouncement at the beginning of his Preface, almost three months ago: “This book will be my most ambitious project thus far. [...]

[...] Operating both as waves and particles, directed in part by their own creative restlessness, and directed in part by the unquenchable creativity of All That Is, they embarked upon the project that brought time and space and your entire [universe] into being. [...]

(Rachel had been discussing a story on astral projection which told of a man seeing a black shape trying to sever the silver cord so he could not return to his body.)

[...] Now do not hit yourself over the head with the suggestion, simply tell yourself that you are now free to remember your projections. [...]

[...] Now to go into a trance is simply to focus intensely in a highly specific area of reality and, therefore, I throw or project a part of what I am here because I am able to utilize greater areas of my personality than those with which you are now acquainted in yourself. [...]

Now when I said in the last class session that I preferred, if you must project your thoughts and images upon me that, instead of thinking of me as a wise old man, you thought of me as a lark in the morning, I meant because I am such an old bird. [...]

[...] The nonfiction involves him in projects that are of longer duration, and he is handling them very well. He was used to more frequent creative challenges, lesser ones in a way, rather than long-term projects, and he was not capable in the past of the planning for example that is now a part of his creative endeavors.

[...] Seth has explained such a connective as “a psychological extension, a projection of characteristics on both of our parts, and this I use for our communications … it is like a road that must be kept clear of debris.²

[...] The motivating power was always projected outside* (underlined).

[...] Seth said, “Now the new body is, of course, not a new one at all, but simply a body not physical in your terms, one that you use in astral projections, one that gives the vitality and strength to the physical body that you know.

[...] You felt that your father had godlike qualities and attempt to project these onto the men you meet. [...]

He told her that she was projecting this image upon each male she met, and then reacting to it instead of to the individual. [...]

Seth emphasized that for his own reasons, Frank did not want a marriage relationship, and ended by telling Doris that she had chosen him for this reason—that she never saw the man as he was, but only the image she had projected upon him. [...]

(Seth reassured Marian about the dream involving her dead mother, explaining how it was a case of Marian projecting her own subconscious fears, among other things. [...]

[...] Except for a few occasions he has not begun new projects in the summertime. [...]

[...] This is an electromagnetic sequence or action that will eventually help provide the impetus for projection of the whole self into another field of actuality, as the rate of acceleration increases and becomes more unified.

In actuality this retention is mental, a mental attraction to other mental actions or personalities; but this attraction, while mental, still projects in certain fashions into the physical field. [...]

[...] It is important that he not worry, or project his difficulties into the future—and while he does much better at that than he did, he still needs the reminder. [...]

[...] She wanted to know what would happen to Seth’s book on dreams in the meantime, and I explained that it would only wait until the other project was finished. [...]

[...] Because I am attached to Ruburt now, his ideas of course color many of mine, so his fear of the passing years developed upon your fear of them ten years ago, projected now into your future, as ten years older than he. [...]

You finally began to realize that I wanted you to leave the job (long pause at 9:55), but the negative attitudes that had built up attached themselves to the new projects—something I did not foresee. [...]

You are left with, as of now, the results of negative beliefs, projected upon certain portions of the body. [...]

[...] Acting as if he were perfectly healthy, such imagined humiliation would not be automatically projected. [...]

(To Sally.) You project your own distrust upon other people and then react to it and so you close yourself off from those feelings of trust that others would express for you. [...] Now the distrust was projected outward, and so you found in physical reality those effects that seemed to justify your feelings and, therefore, you hid further and further within yourself, adapting a militant manner to hide the helplessness that you felt. [...]

Obviously then so-called astral projection occurs frequently in the sleeping state. It also occurs however in the waking state, although the ego is not aware of such projection as a rule. [...]

It seemed that I should have finished my part of both books long ago, even though simultaneously I was working on several other projects with Jane, as well as painting a few hours a day. [...]

[...] From the 751st session for June 30, 1975, which was held a couple of months after he’d finished his part of the long project:

I used that information of Seth’s many times while working with “Unknown” Reality. Even so, I learned that on such a long-term project it’s easy to lose that acute sense of what one really wants to do and show — but I also learned how to constantly renew my focus. [...]

You then project this, thinking that it would happen to your brother first. [...]

The second dream projected the fears of the first, anticipating what you were afraid would happen in the future.

[...] My next project is to start a list of these points so that we make sure they’re covered.

Sometimes back then he would not even tell you of projects until he was certain they had jelled. [...]

[...] The poor do get poorer, the rich do get richer, because the poor become entrapped by their projections of poverty.

Do not, from your experience with one gallery, project a negative attitude toward all galleries, any more than Ruburt should do this with publishers. [...]

He projected his resentment into the future, and against all other publishers for awhile, anticipating the same sort of response as he felt the ESP book had received. [...]