“Seth material” search engine (Jane Roberts)

[...] It offends your idea of secrecy, privacy, and being anonymous. [...]

[...] It has several important aspects that you should look for—the combination of privacy and openness. [...]

[...] But when I wanted to be by myself to paint, I had a corner studio I could retire to where I could work in privacy — a very nice room. [...]

At the same time you think, for several reasons, that at your age you should have a house, privacy to work, a way even of proving to your brothers that you have as much as they. [...]

[...] Eventually they’re added to the collection of our papers at Yale University Library, while not being open to the public for privacy’s sake.

[...] It will increase your sense of privacy, hence minimizing feelings of resentment toward this place. [...]

[...] Your house is perfectly set up, however, so that if you wanted to it can be expanded to suit further needs: the large center portion (gesturing) serving as your communal living quarters—this area—and with some creative extensions you could have quite appropriate separate working wings at either end, providing you both with more work space, feelings of privacy, and esthetic pleasure. [...]

[...] I think I made clear our current ideas about insurance, our work, the need for privacy, our opinions of various doctors and the medical establishment versus the lack of psychology they often display, and so forth. [...]

[...] A place of relative privacy, and yet one in which you would not be unknown or isolated, one in which in fact the 458 West Water Street connections would continue to operate, with Paul of course as mediator. [...]

[...] She seemed receptive when I explained our need for privacy, that it was vital therapy, and talked of moving Jane directly into a private room. [...]

Again, you have a small kitchen, a garden and some sheltered privacy. [...]

[...] In the second house your ideas of privacy were shown to you, carried to an extreme, where the windows would not even open. [...]

[...] Their purposes do not necessarily involve the same kind of privacy that you want, although they think it attractive.¹³

(Jane was ready for the session at 8:45, so we sat for it in our bedroom for extra privacy. [...]

[...] But while you are physical, you will still experience birth and death, dawn and dusk, and the privacy of the moments, for this is the experience you have chosen.

[...] This, I am sure, seems an invasion of privacy to you, and yet I assure you that even now none of your thoughts are hidden, but are known quite clearly to your family and friends — and I may add, unfortunately, to those you consider enemies as well. [...]

[...] Any kind of extensive public life cannot be reasonably expected from two people who value privacy to the extent that you both do. [...]

[...] Ruburt, however, deals well with individuals, as in class; while preserving his privacy he still extended it. [...]

[...] As the books became more popular, you were suddenly threatened in terms of privacy, of exposure personally—and perhaps, Ruburt felt, being forced one way or another into that other world in which, after all, the two of you did not belong.

[...] During break for the 726th session, which was held on December 16, 1974, I wrote that we planned to start looking for a house of our own as soon as I finished the illustrations for Dialogues. Our need for a certain kind of privacy and quiet has become very strong. [...]

[...] From the private session for January 30, 1974, which I quoted in Appendix 2: “Your father’s creativity … had its side of secrecy, privacy and aloneness … you identified creatively with his private nature. [...]

This afternoon we had a long discussion about the conflicts we often feel between our natural desires for creative privacy and the fact that our works go out into the world. [...]

[...] The physical ailment already is in existence and is being treated in privacy. [...]

[...] I went back to working on taxes while Jane talked to him, and at the same time found myself wondering whether his unexpected visit might symbolize one of the very facets of Jane’s dilemma about privacy versus the public life—at least as I understand it: Her vulnerability and availability to anyone who chooses to come here. [...]