“Seth material” search engine (Jane Roberts)

[...] The printed line does not contain information. [...]

You may perhaps argue that the book was manufactured physically, and did not suddenly erupt through Ruburt’s skull, already printed and bound. [...]

[...] Printed matter and handwriting.

[...] Plus dark printing.

[...] Also the greeting card is printed on white paper.

[...] Printed matter and handwriting.” [...]

[...] The test object sealed in the usual double envelopes was a woodblock print, made by an artist friend of ours, Roy C. Fox, and enclosed with Roy’s Christmas card of last Christmas. It is a black and white print on very thin, almost transparent paper. [...]

[...] To sum up first, we saw that Seth had used the name of the artist who had executed the block print, Roy Fox, as a starting point for data involving Jane and Roy and me, but for some reason had not dealt with the test object itself. [...]

[...] The number 3,” refers we believe to the notice for the show, printed in the local paper on February 6,1965. [...]

[...] We can see the connection with the Roy Fox data however, since Roy made the block print; his name is also on the test object. [...]

[...] Only now she was surprised to see that it was printed all in English. In her day it had been printed in Latin on one page, with the English translation on the page opposite. [...]

[...] I saw fairly clearly a four-column layout set in type; at the top was a plate for printing a photograph, with headline lettering on either side of the photo. [...] To the viewer’s left on page 321 is a copy of the drawing I made for him, to the right is a sketch of the actual ad as printed. [...] My impression was of the metal printing plate, not the final printed ad. [...]

[...] The ad was printed on Tuesday, October 12, 1965. [...]

(“A printed message.” [...] The Norcross is printed, in that it is blind embossed. Jane doesn’t know whether she intended handwriting or printing in the data. We have had trouble with this category in previous experiments, Jane meaning one thing by writing or printing while I mean something else.

[...] A printed message. [...]

“Writing or printing on the lower left hand corner, very small, holding the object horizontally. [...] (Both of these applied, except that the very small print was on the left side, not only the left corner.)

“ ‘Election Day Sales,’ or ‘Values,’ is printed in black headlines at the top of both sides of the page. [...]

[...] The back of it is printed in heavy black.)

[...] The target item was a print Rob had taken of his own hand a week earlier, when we were reading some books on palmistry. [...]

[...] She’s helped a great deal here, writing the initial version of certain notes, which I’ll then add to before returning the manuscript to Prentice-Hall for printing.

[...] On the other hand, I can visualize the dilemma those at the publisher’s feel when they’re being asked to print ideas that are, at least in part, so contrary to accepted belief structures in a very important field.…

(Jane brought up the idea at the supper table: Having the sessions printed up for distribution as a course which could be subscribed to. Advertising, printing, editing, etc., would be involved.)

[...] It was printed in the issue for March 6, 1979: “Miracle of 80-Year-Old Marathon Runner.” [...]

[...] Her story however was printed on Monday, April 18, which means she had to see Bill sometime Monday morning. This was possible because Bill Macdonnel, as a teacher, was still on Easter vacation. [...]

[...] When I tore the article from the newspaper I wrote the month, day and year on it, not realizing the date was printed on the reverse side.

[...] The object consists of small printed type which was folded several times; such an impression of tiny criss-crossings could occur to an entity with the ability to see through the layers of the object, so to speak, or to pick up the impressions resulting from layers. [...]

[...] If Seth can penetrate the folded layers of the object and tell us that printed type is a mishmash, then presumably he could tell us about things on the back of the object also, even when the object is folded.

(“Dark printed matter.” [...] I don’t know whether Seth uses printed here to mean an ink applied to paper or newsprint, or just some other substance applied to a surface as in the case of the object.

Dark printed matter. [...]

[...] Any object produced like the envelope object will give a feeling of balance, no matter what the design, as long as both halves are printed or impressed in full. [...]

[...] The book is printed in black on a dim yellow—as Seth calls it—cardboard stock. [...]

[...] Once again, we do not know just what Seth means by writing—type like this, printing, handwritten script or lettering, etc. [...]

[...] The object is however printed in black, against a light background. [...]

[...] Most of that session is unpublished, although someday we’d like to print it in full. [...]

[...] The rest of the copy on the back of the postcard, whether printed or handwritten, is in line.

[...] There are a total of six personal names on the object, the other two, Don Sieburg and Lincoln, being printed.

[...] As stated earlier the stamp is printed in red ink with blue added. [...]

[...] Printed in a dark blue.

The information contained therein in such bulky printed form, is not physical. [...] You take its usual transmission in daily life for granted, overlooking the fact that all the physical aspects of its transmission and appearance serve to hide its basic non-materiality, and that words and printed data and moving pictures, all visual or physical symbols, are not the knowledge itself. [...]

[...] Words on a printed page for example are not dead, nor are they merely inert symbols. They share the consciousness of the material upon which they are printed and the various individual letters themselves, by their position and reality, make each unique piece of paper upon which they are written original from all others.

(11:33 PM.) Ruburt has been worried about the sale of Oversoul Seven, and also waiting for the paperback—afraid that after all the book might be late in its printing.

[...] Printing or black ink, I do not know.” [...] As I worked with the materials on the newspapers, I wondered whether it was such a good idea, fearing that perhaps the acrylic glue I was using might dissolve the black printing ink enough to cause it to dirty the white burlap I was handling. [...]

[...] Printing or black ink, I do not know. [...]

(“Printed matter and a design.” [...] This is not printing, although Seth has often intermixed the terms printing, writing, lettering, typing, etc. [...]

[...] Printed matter and a design. [...]

[...] “By telephone today Jane learned from her publisher, F. Fell, that the small first printing of her ESP book has sold out, even before publicity on the book has been launched. [...]