“Seth material” search engine (Jane Roberts)

[...] His state of mind during the day then varies, so that with his files (of poetry) today he was in a highly relaxed, creative, productive, mental level, one that served to cushion his mind from the critical reproaches he can often give himself, and therefore bodily relaxation could continue. [...]

[...] Even now she could only link the release of her very creative Sumari attributes, the singing poetry, and prose [as embodied in her novel, Oversoul Seven, for instance], with Seth’s reference to psychic families as well as physical ones.

[...] Everyone cannot write poetry, but each person is creative in his or her own way, and can follow the emotions as Ruburt did whether or not a poem results.

[...] Here is part of the passage from her book of poetry referred to by Seth. [...]

(Today Jane wrote two poems — one of them several pages long — that, she said, fit into the scheme of her potential book of poetry, Dialogues of the Speakers. [...]

[...] After a very light lunch, Darvoset, and so forth, I read her yesterday’s session and poetry. [...]

[...] He did not feel the same way about his poetry, which largely in its way states the same messages that our own books do. [...]

The books are different, however, while the poetry carries the more clearly recognizable stamp of his accepted identity, so he was afraid that I would lead people astray unwittingly perhaps, through the energy and power of our communications. [...]

Ruburt’s latest poetry is a way of encountering beliefs, and also of evoking the most deeply creative aspects of himself and bringing these to the surface of experience.

[...] [That total includes Mass Events, God of Jane, and the poetry book, all of which are yet to be issued.] In the private session for September 22—one of his series on the magical approach to life—Seth had told us that our work is “protected.” [...]

[...] At its best it did not lead to rote renditions of remembered material, but to dramatic renderings of it through music, poetry, dancing. [...]

[...] The poetry is an excellent merging of his metaphysical interests and his art. [...]

Before even hearing the poetry no such audience, Ruburt felt, would question the fact of poetry itself—its techniques, traditions or value. [...]

[...] Ruburt could read poetry without first having to define the nature of a poet. [...]

[...] Jane’s poetry book is due in 1981; she’s started a “Seven.” [...]

[...] Tam will also look at my first rough sketches for Jane’s book of poetry, Dialogues of the Soul and Mortal Self in Time.¹ Then on Wednesday night he’ll witness the scheduled 706th session. [...]

[...] She discussed her “own” works in her Introduction to Personal Reality. I mention them in various notes in that book, and selections of poetry from Dialogues itself are presented in chapters 10 and 11; in the latter chapter Seth used one of those excerpts in connection with his own material. [...]

[...] Mystical experience became acceptable only through poetry or art, where it was accepted as creative, but not real enough to get him into trouble, or to upset the “new” framework. [...]

[...] Within the next several years she sold a number of additional stories to the same magazine, as well as two short novels, and also published poetry and a little fiction in other markets.

[...] Her fictional themes especially were extensions of much of her earlier poetry, and contained the same kind of thinking that had led to her breaking with her church. [...]

7. While writing poetry on the evening of September 9, 1963, Jane had her first consciously recognized psychic experience. [...]

[...] Preparing Oversoul Seven gives him a good point of concentration, yet beyond that he should allow himself the leisure and pleasure of playing with concepts, with poetry, and even with painting. [...]

[...] Steve and Tracy Blumenthal have also lent us a complete videotaping set, and we’ve experimented a little bit with filming Jane reading poetry. [...] I’ve wanted to try to film Jane reading poetry in the meantime, but each time I think of asking her —usually at night—I can see that she’s so uncomfortable that I let it go.

3. Jane also writes poetry in Sumari, and can translate it into English. [...]

[...] I had my poetry; Rob, who is an artist, had his painting. [...]

[...] Yet my own work continues: since the sessions began, I’ve written two books of nonfiction (not counting this one), two of poetry, and a dozen short stories. [...]

Ruburt should definitely send some poetry manuscripts out, and work at his poetry. [...]

[...] In the past in his poetry the intuitive abilities were somewhat isolated. [...]

He could not deny the intuitive self, so it became the self who wrote poetry. [...]

[...] Jane’s vocal difficulties have been minimal, but her handwriting hasn’t been too steady as she answered mail and worked on some poetry. [...]

[...] The poetry is his best touchstone here. [...]