“Seth material” search engine (Jane Roberts)

[...] I asked her if she thought such thinking could still play a part in her hassles. [...]

[...] I took the Christmas bell, made in Switzerland and sent to us by a reader in upstate New York, in to 330; when wound up it plays Silent Night most evocatively. [...]

The role-playing in the dream drama would be one in which you creatively worked out the problems that caused the imbalances to begin with. [...]

[...] The feeling given by this maverick or opposite pressure was quite similar to the feeling one gets from playing with magnets, when they are so aligned that one repels the other. [...]

[...] There was no exterior cosmic Pied Piper, singing magical notes or playing a magical tune, urging the universe into being. [...]

And Billy and Mitzi, who had been racing through the house, came as if on signal to play beneath Jane’s rocker when she began speaking for Seth. [...]

[...] She came to play her own conscious part in those preparations, too: Yesterday she’d received many insights from Seth on “master overlays,” and made notes. [...]

[...] I mention these things because they too play a part in yesterday’s events.)

[...] Feel it then fill her frame with vitality and strength and know that you have a part in this, and that through the part that you are playing are you also being filled with therapeutic energies and with vitalities that will rejuvenate your spirit and your mind. [...]

[...] In the same way, you are alive whether or not you are playing on an earth “program.” [...]

[...] As soon as she left trance she became aware of music playing in the apartment downstairs; before she hadn’t heard this.

[...] I also heard this cat and our first cat, Willy, playing in the living room.

[...] Jane said she remembered that the two cats were very noisy as they played together in the dark apartment, and that she remembered wishing they would stop. [...]

There are, of course, close relationships concerning this delivery of Seth’s for the 740th session, the material in this note, and the musical analogies Seth presented in the 735th session, when he discoursed upon the inaudible variations inherent in the compositions played by the young classical guitarist who’d visited us over the weekend of February 2. (I’ve been saving this reference for this particular note.) At 9:45, for instance, in that 735th session: “An infinite number of other ‘alternate’ compositions were also latent within the [first] note, however … They were quite as legitimate as the compositions that were played … and … added silent structure and pacing to the physically actualized music.”

[...] Man was not allowed to play with the more dangerous toys until certain evidence was given that he had gained some control.

[...] Actually, the sessions usually last anywhere from one to three hours, so I suppose that many people spend a good deal more time than that playing golf or tennis.

[...] I am using the name here, Christ, as one person for the sake of discussion, for that entity touched many lives, each leaping into a kind of super-reality as it joyfully played its part in the religious drama.

[...] Now the tenant in the apartment above our living room began to play rock music very loudly, but Jane seemed undisturbed as she talked to me. [...]

[...] It is according to when you come into the picture, and what you choose to observe, and what part of the play you decide to observe. [...]

[...] They have as strong a part to play in dream reality as shadows do in the physical world. [...]

[...] Heredity plays far less a part in the so-called formation of character than is generally supposed.