“Seth material” search engine (Jane Roberts)

(Bill’s letter outlined the steps necessary to finish the job, which consists of five pages of a comic type story, in pictures and text, for a men’s magazine. [...]

[...] After turning on the bed, I did try to recapture the picture, and asked the girl a question about her name, to which I received no answer.

(Howard bought a small tempera of mine picturing two apples; and then to Jane’s surprise he bought off the wall of our apartment a small abstract oil that Jane and I had produced jointly, in a humorous attempt at working together. [...]

1. See the picture section in Prentice-Hall’s editions of The Seth Material for a cropped, black-and-white reproduction of my oil portrait of Seth, “in the form in which he chose to appear to Rob,” as Jane wrote in Chapter 8 of that book. [...]

[...] The trouble is that when you are dealing with, say, the transmission of a picture, you are still dealing with camouflage. [...]

[...] Later, she said, she realized the initials were meant to be taken literally, but instead she tried to interpret them; hence getting the idea of my father into the picture.

But what about serious diseases—and where does reincarnation fit into the picture? [...]

[...] In her case, she has been forming memory pictures of her childhood, of days before her physical illness, and entering into them. [...]

I was going to mention the furniture arrangements that we embarked upon during this time but find that a few excerpts from this same session give a pretty fair picture. [...]

[...] Each person has such a world view, whether living or dead in your terms, and that “living picture” exists despite time or space. [...]

[...] I will however make this statement: The picture—

[...] It is according to when you come into the picture, and what you choose to observe … Consciousness did not come from atoms and molecules scattered by chance through the universe….

[...] I merely want to remind the reader that in ordinary terms naïve realism, or some mind-brain idea very much like it, is habitually used whether we’re considering evolution within a time-oriented camouflage universe, painting a picture, or running a household. [...]

[...] From that viewpoint, the picture is entirely different, for you are indeed conscious while you sleep.

[...] (See my notes at the end of the 610th session, in Chapter 1 of that book.) And concerning my objective observations of Seth himself, I’ll let my notes in the sessions build up whatever composite picture I’m able to construct.

[...] There is great leeway in the use of inner and outer perceptions, and the manners in which these are mixed and matched to form an acceptable picture of reality at any given time.

[...] Those were my thoughts when it occurred to me that I should be writing them down, because they’re part of the whole picture. [...]

They saw a motion picture about a woman with lovers, and a cripple, or perhaps a dwarf. [...]

(I finally decided that the best way to present the variety of material desired, whether from Seth, Jane, or myself, was in chronological order, letting a composite picture emerge as the work progresses. [...]

[...] He didn’t turn to walk up or down the street, however, as one might expect, but casually stood there and turned to look at our group a few times as we talked and took pictures. [...]