“Seth material” search engine (Jane Roberts)

(In trance, Jane pointed to the new painting.) The picture is of a man, or rather of a woman who lived in Constantinople in the 14th century. [...]

[...] In your terms, by the time of Christ, the ego was sure enough of its position so that the projected picture of God could begin to change.

[...] So far she’s preferred to work before the picture window in the living room.

[...] Jane took the picture before I met her, some 11 years ago. [...]

[...] But the picture of a white-robed spirit, with those connotations, is not one I have given him.

“He becomes overly serious, overstressing the entire picture, as you can at times, so that the affair (of the symptoms) seems hopeless: the evidence before your eyes, and so forth.

[...] The front of the card contains a picture of three cherubs singing. [...]

You would paint pictures, then, but not show them. [...]

[...] But man is no robot, and each so-called genetic defect has an internal part to play in the entire picture of genetic reality. [...]

[...] Jane had admired it at once, even from the first drawing, and insisted all along that it pictured Seth.

(“And a look out” is interesting to us, because I spent some time for a couple of days looking out our back motel room window, studying this particular view before finally taking a picture of it. [...]

[...] It pretends that accidents are possible, that death is an end, and it tries to ignore all of the great threads of feeling and intent that do not fit into that picture. [...]

(“I’d rather think about painting pictures, I guess.”)

Ruburt is blocking a picture of Philip. [...]

[...] When Eleanor came back onto the picture, the time before this last visit, there was also a trip to Rochester preceding it. [...]

[...] If your mother reinforced this belief telepathically and verbally through dire pictures of the potential danger involved in street crossing, however, then you would also carry within you that emotional fear, and perhaps entertain imaginative considerations of possible accident.

[...] Few even wonder if it can be done … The visions that don’t agree with the various religious and mystical dogmas, that aren’t couched in terms of Christ, Jehovah, or Buddha, might well represent holes in the official picture through which a glimmer of inner reality seeps…. [...]

[...] [In the note she’s making for her Introduction to Seth’s The Nature of the Psyche, Jane describes a world view as “…a living psychological picture of an individual life, with its knowledge and experience, which remains responsive and viable long after the physical life itself is over.”]

[...] Now Anita Bryant serves a purpose for all of her distortions, for she presents each person with an exaggerated picture of certain beliefs. [...]

[...] picture about the river. [...]