“Seth material” search engine (Jane Roberts)

[...] I was careful not to confuse this with any cramping effect from holding a pen for so long. [...]

[...] (Long pause.) I suggest you equip yourself with some good pens. [...]

[...] Finally I sat down at 9:49 and picked up my pen and paper. [...]

(My pendulum related the symptoms to my decision to paint an oil from a small pen-and-ink sketch I had made in 1969. [...]

[...] Inside the front cover I penned the date, August 1963.

[...] But Jane asked me to get pen and paper, so the session got under way in our living room. [...]

[...] I left my favorite pen at the Gallaghers the night we recorded the 170th session. [...] I am attached to that particular type of pen, finding them easy to take the notes with for sessions.

(I have the original account with my notes on the Seth sessions, along with three pages of notes she made with pen while in this state. [...]

[...] No pressure was exerted on the pen. [...]

[...] The doodles on the object were made with a blue pen. [...]

[...] However, break didn’t last long enough for me to even lay down my pen. [...]

[...] The page is on white paper, and the writing on the tracing is done with the same pen I used to make the original notes. [...]

([Bette Zahorian:] “And I just sat here for five minutes telling you to put that goddamn pen down, that he’s been banging away, and he finally did it.”

[...] Therefore, I have much work to do on the 40 pen-and-ink drawings for Dialogues, and on a series of diagrams for Adventures.

[...] Seth had never signed a book before—but did so now with a flourish, using a red felt-tip pen.)

Robert F. Butts, my husband, sits on the couch across from me, taking verbatim notes of what I say as Seth, transcribing these “other-worldly” communications with a modern pen on good white bond paper. [...]

[...] We gave him paper and pen to write down any questions he might have, but Phil never got a chance to write anything down. [...]

(11:43 P.M. An aside: Lately I’d delayed typing these sessions from my notes because I’ve been so busy doing the finished pen-and-ink drawings for Jane’s Dialogues. [...]

[...] A cat does not anticipate danger from a penned dog four blocks away, however, nor bother wondering what would happen if that dog were to escape and find the cat’s cozy yard.

[...] Perhaps it holds a pen and pencil. [...]

[...] Hardly any pressure was exerted on the pen. [...]