“Seth material” search engine (Jane Roberts)

[...] Connected with the above material, but rather opaquely, I will continue along other but parallel lines. [...]

[...] She said she had a series of images which paralleled the material, yet she couldn’t describe them now.

Attention can be shifted from any physical moment to any probable moment by a sideways parallel imaginative thrust — a sideling off of —

Attention can be shifted from any physical moment to any probable moment by a sideways parallel imaginative thrust, a sideling off of focus, if the mind can get over its fear of dying to itself.

[...] The idea and reality of physical time parallels the development of the ego. [...]

[...] The label bears parallel oval lines which can suggest a road or a path.

(While delivering the last paragraph of the session, Jane had the parallel perception or feeling that Seth meant she might receive visual data while dictating.)

[...] Closely paralleling Seth’s description on page 5, there would be a series of dots on the circle. [...]

[...] In a way the symptoms were almost a method of presentation that in another fashion completely paralleled your own notes (an excellent point). [...]

[...] Instead there are parallel developments. [...]

[...] It’s an excellent point, I said, that in her ability to tap into a seemingly endless amount of Seth material, she strikes a parallel with early man and his capacity to carry all personal, cultural, and historical information within himself. [...]

(After this I saw, as though in the distance, a group of small gleaming knives, carefully arranged in two parallel rows. [...]

[...] There are great parallel existences now occurring, always occurring, all taking place within the area of physical activity. [...]

[...] After considering the alternatives Seth suggested immediately following last break I decided to leave his delivery in place in the session as a guide for the reader; parallels can be drawn with many other situations, I think having nothing to do with art or houses.

(Considering parallels, here’s another of the many “connections” that Jane and I have become aware of since we began our housing odyssey last year [already we’ve compiled a list of 30 similar relationships]: Three out of the four dwellings that in one way or another we’ve been seriously involved with possess driveways shared by next-door neighbors — Mr. Markle’s in Sayre; the apartment house we live in now; and the house in Elmira that we considered buying in 1964. [...]

[...] In Elmira the Art Shop is located on West Water Street, which parallels the Chemung River through the heart of the city. [...]

The longer we went without class, the more Jane and I saw how much its demise paralleled the ending of “Unknown” Reality. Both events were inevitable, we came to understand; both had had their time; our regrets about the finishing of both are real, while simultaneously we heartily agree that the nature of life in this physical — or “camouflage” — reality is one of unending change and renewal. [...]

[...] The book was his spiritual and intellectual battleground (the dream book), and this was paralleled by the physical symptoms; the physical battlefield. [...]

[...] They are more pronounced than indicated on my sketch, having a three dimensional quality as they branch out in roughly parallel lines from the central stem.

I have the impression of a door, and of horizontal parallel lines, and a mass. [...]

[...] The data contained in the leaflet closely paralleled the dream; therefore Jane was quite pleased to discover stacks of these leaflets at the motor vehicle bureau. [...]

[...] During the experiment I noticed that Jane held the rectangular test envelope to her forehead with its long axis roughly parallel to the floor; perhaps the folded object inside gave rise to the upside-down impression.