“Seth material” search engine (Jane Roberts)

I am to some extent an affectionate but detached observer here. Most of your personal recommendations were valid ones. If you had made a stand earlier however you would have saved yourself time and effort. It would be most beneficial for you to do some painting outdoors, or to walk outdoors.

You should in any case whenever possible sketch outdoors, for you are personally renewed by such an encounter, And the implications are very different. When you are outdoors sketching there is before you a large expanse. [...]

[...] Sketching freely outdoors will allow you freedom that will be beneficial.

When you are sketching outdoors, as a helpful exercise I suggest the following: attach your focus of attention to one small thing. [...]

(Question: “Where was this group?” “Outdoors, rather than indoors in this particular instance.” Very good, the incident involving David did take place outdoors in the park.

Outdoors, rather than indoors in this particular instance.

(At Saturday’s visit there was indeed a gathering and an affair—an outdoor picnic involving 15 people, either relatives or close friends. [...]

[...] Your interest in the outdoors now reflecting your male existence. [...]

[...] A walk, simply about the house outdoors, each day. [...]

[...] An outdoor affair is what I am thinking of, and I believe that it was near water (pause), and that there was a connection with boats.

[...] An outdoor party then. [...]

(Jane said that while giving the Instream material she had a vague mental impression of an outdoor scene, and of a woman in outdated clothing. [...]

You are developing along certain lines, your interest in the outdoors now reflecting your earlier male existences. [...]

You are developing along certain lines, your interest in the outdoors now reflecting your earlier male existences. [...]

The painting also, innately now, involves going outdoors, though you seldom paint from nature out in the landscape. [...]

[...] Connection with the outdoors, or green. [...]

[...] Connection with the outdoors, or green. [...]

[...] The outdoors reference above stems from Jane’s original mention of a Jungle Gym on page 121, and this would lead to the green data.

Attempts to paint sculpts however that were often for outdoor use sometimes resulted not only in running together color, but in a mold that built up between layers of color.

(Perhaps I carried out some of my experiments with painting the outdoor sculpture in Denmark, where winter weather must be considered, after visiting Italy. [...]

[...] On the evening of August 15, Tuesday, Jane and I were having supper at an outdoor restaurant, The Californian, at 7th Avenue and Broadway in New York City. [...]

[...] It showed a life-size, full-face figure of Bill Gallagher wearing a long dark coat, as he stood against a somewhat stylized outdoor background of pyramid shapes in bright colors—either tempera or acrylics.

Before too long, naturally, without effort, Ruburt will find himself visualizing himself outdoors, or in a restaurant, and the physical facts will follow. [...]

[...] It would be preferable if he did change his environment during this period, physically, by walking outdoors or visiting.

Once more, as I’ve done often in recent years, I expressed the hope to myself that in another probable reality very similar to this one I opted for the outdoor life in a much stronger way—even to living outside night and day for most of the year. [...]

[...] I’ve come to believe that the predominantly outdoor life would give me a certain understanding of our temporal and spiritual worlds impossible to grasp otherwise, and that my painting would inevitably mirror that greater comprehension. [...]

[...] She grew up in a quite different physical and psychological environment, however, and the outdoor, athletic life was not a part of that ambience. [...]

By way only of a suggestion, I would take advantage of the outdoors in the coming season as much as possible, for both of you.

(4:05.) In other cases of a child’s illness, have the child play a healing game, in which he or she playfully imagines being completely healthy again, outdoors and playing; or have the youngster imagine a conversation with a friend, describing the illness as past and gone. [...]

[...] It presents an instant automatic invitation to cook outdoors, and a certain informality that the decadent garden does not present.

[...] Your feelings, so brief this evening as you looked outdoors, were therapeutic, rewarding, positive. [...]