“Seth material” search engine (Jane Roberts)

The sportsman that you might have been would have gathered, from that same available background, other attitudes and ideas that would have fit in with his concept of himself, and with his core focus. The childhood camping background served as a rich source material, to be used in any way you chose. The sportsman, the writer or the artist — any of them would utilize that background differently, but well, and in such a way that it peculiarly suited each of them.

(In mentioning my “sportsman self,” Seth referred to information he’d given about three of my probable selves in a private session on January 30, 1974 — just a few days before starting “Unknown” Reality. The session contains many personal insights that I now recognize as being quite true. But even without Seth’s help, interesting results can flow from an awareness of the probable-self concept: The reader can begin to intuitively consider his or her own probable selves, or those of others who may be closely related psychically or physically. I’m not writing here about rationalizing the existence of one or more probable selves to account for personal shortcomings in this reality, however, but of simply using the idea to enlarge our basic notions of the human potential. See Note I for Session 679.

The painting also, innately now, involves going outdoors, though you seldom paint from nature out in the landscape. Nevertheless, you would be determined to be free enough to do so. The sportsman that you might have been still lives within you enough so that, for example, you automatically stay trim and limber.

[...] (To me:) Your “sportsman self”* was never endowed with the same kind of force as that of your artistic or writing self. [...]

[...] As an audience watches a sportsman perform, so those who read the comics watched your characters perform in action across the page. [...]