“Seth material” search engine (Jane Roberts)

Ruburt has been feeling new, strong surges of desire — desire for normal health, normal motion, energy, and strength. [...]

[...] It also represents his growing faith in his own psychic vision, and hence his return to his own natural rhythms and motion.

There are “durations,” then, that have nothing to do with time as you understand it: psychological motions that manipulate time but are apart from it. [...]

[...] The world of ideas everywhere permeates physical reality, but ideas, even when they are unexpressed, possess their own organizations, correspondences,³ their own spheres of motion and development. [...]

[...] Consciousness becomes more familiar with its own inner motion, and even with the kinds of work and actions it performs outside of its usual waking prejudices. [...]

[...] There is constant motion in this system, as in all others, and the constant motion within the electrical system makes motion possible within your own system; and “time” is indeed, here, an electrical impulse that grows by intensity, and not by moments.

Action may show itself as motion, but it is much more than motion in the terms which you usually use, and motion is but one small dimension within action’s realm. [...]

[...] After the session she did go into some motions, mostly involving the upper portions of her body—the head and shoulders off the pillow and mattress, side to side at times, once in a while rather strong, with noises and increasingly heavy breathing. [...] Jane said there was motion in her hips also.

(I was pretty quiet today, mostly because I felt tired and didn’t know what else to do to try to get her to eat or be more open about physical motion. [...]

[...] Motion is being redistributed, but faith in the process is again immensely important.

Motion does have a sound though you may not hear it. Motion does have music though you may not hear it. The very motion of atoms and molecules has music. When you think of color, then, try to hear it, you try to sense the motion, then you can use such experiences in your art work. [...]

[...] And when you think of color, then, sense its motion.

[...] His identification with the importance of the mind, then, and his focus as a writer, allowed him to inhibit physical motion in a way you would not have done. [...]

[...] You, with your history of athletic behavior, and your love of “perfect motion,” immediately contrast his activities with the time when he danced with the greatest of ease.

[...] The love of the sportsman for motion can instead be used to encourage him toward physical performance. [...]

Your ideas about the letter (to correspondents) are encouraging first motions toward what I am speaking of, as are Ruburt’s ideas about class, and your sexual advances. [...]

[...] Realized I was in bed, in a particular position and making certain motions that were self-conflicting, leading to the discomfort; and that I was in this position because I thought I’d done something wrong that somehow necessitated the position. [...]

[...] As you know, paintings have motion, yet the painting itself does not move. This idea should help you understand experience in terms of intensities and projections or the movement of consciousness without necessarily motion through space.

True motion has nothing to do with space. The only real motion is that of the traveling consciousness.

Astonished, I thrust my hand out the window, and the motion set ripples out, making fairly deep “cracks” near my fingers and more shallow ones farther away. [...]

[...] I felt as if I could almost walk on the air, but from the motion of my hand through it, I knew it was not normally heavy enough to support me.

[...] For again it allows the new resiliency an opportunity to show in motion. [...]

[...] Repression of motion cannot lead to anything but further repression. [...]

[...] During the night I was awakened several times, with that peculiar soreness in thighs and arms; at the same time my jaws dropped noticeably and I could feel motion going through my body. [...]

The Gallaghers trust spontaneity only when it is expressed through physical motion. To some extent, again, Ruburt trusted it only when it was expressed through subjective motion. [...]

[...] The body adjusts its rhythms in a quite healthy manner to your activities, and without polarized habits of thought, periods of deep creativity will automatically be followed by periods of walking, natural exercise of one kind or another, in which subjective thought and body motion are synchronized.

All Ruburt wants is normal motion. [...]

[...] He is experiencing the body’s impetus, its urge toward motion, and to reactivation. [...]

[...] She had more bladder spasms, and was afraid she’d loosened the catheter with her motions, although I hadn’t thought they were that strong, except for the rapid head movements. [...]

[...] Only within complete freedom of motion is any “ordered” motion truly possible.

[...] Basically, however, the motion of any wave or particle or entity is unpredictable — freewheeling and undetermined. [...]

Now: Atoms can move in more directions than one at once.⁷ You only perceive scientifically the probable motion you are interested in. [...]

[...] At the same time he realizes that from his artistic viewpoint he may not be able to understand the paradox of “contradictory” motions.

Ruburt has done well, following impulses, and the altered sleep patterns have indeed been beneficial; for his body, to compensate for the lack of normal steady motion, wanted the extra activity. [...]

The lack of motion, however, in the last episode, was more noticeable, the constriction in the neck muscles and head. [...]

These also must be allowed their motion and should not be hampered. [...]

[...] You are watching the self in motion.

[...] She still has the new motion in her arms and hands. She also said there’s a new kind of motion, “like a ball bearing,” in her left foot at the ankle, even though it may not look like a different movement. [...]

[...] Not that I wanted Jane to be magically transformed into a 25-year-old again—just that I ached to see a resurgence of that uninhibited, unplanned joy of motion for its own sake. For now I understood that freedom of motion was at least one true reflection of an individual’s creative potential.

[...] His idea of seeking out motion is a good one. [...]