“Seth material” search engine (Jane Roberts)

It is basically as meaningless in essence, to ask this kind of question as it would be to pause in the middle of a dream, and wonder when first the dream location was created: To stand facing a dream landscape and wonder at what point in time the rocks had their origin. [...]

[...] The deepest, most basic and abiding subjective experience is translated however into those natural elements; the ample landscape that sustains physical life.

[...] You are also presented, whether you know it or not, with certain artistic challenges that the landscape itself will provide, and that you have chosen.

How many reptiles tried for wings, for example, and failed, or could not fly—or how many millions of reptiles did it take, and how many trials, before the first triumphant bird flew above the landscape? [...]

[...] They can escape from you like water through your fingers, carrying with them vital nutrients that spread across the landscape of your psyche — and all too often carrying sludge and mud that clog up the channels of experience and creativity.

[...] If you do not trust your waking self you will not trust your dreaming self, and the landscape of your dreams will appear threatening. [...]

devastating the landscape

[...] An exuberance may be translated into images of playing animals, flying people, or animals or landscapes of great beauty. [...]

[...] These ideas and concepts, having their own electromagnetic identity, nevertheless appear as “the symbolic landscape” at this level of consciousness. [...]

The trees in a landscape painting cannot physically move with the wind that may blow through the three-dimensional room. [...]

[...] These actions burn almost like twin fires in different worlds, but they illuminate vastly different landscapes. [...]

[...] There are good paintings to be found from the house, in terms of landscapes, and natural walks. [...]

[...] Your thoughts, feelings and expectations are like the living brush strokes with which you paint your corner of life’s landscape. [...]

[...] To deny this is to try to force consciousness into some rigid form which it cannot be ever freed and to apply rules to it that make a very neat psychological landscape. [...]

First of all the landscape and the surroundings were, indeed, symbolic but they represented to you several things. [...]

(I was in a landscape with two women. [...]

[...] He turned to landscapes also. [...]

Each person experiences a unique reality, different from any other individual’s. This reality springs outward from the inner landscape of thoughts, feelings, expectations and beliefs. [...]

The painting also, innately now, involves going outdoors, though you seldom paint from nature out in the landscape. [...]

[...] Yet through all of these changes the earth retains a landscape, and at any given time the features of the land are quite dependable and permanent enough for your purposes.