“Seth material” search engine (Jane Roberts)

[...] The greatest kind of painting includes both the intuitions and the intellect, but in your terms this also requires the maturing of the high intellect. [...]

[...] Your insights and intuitions were to be sifted through earthly years of knowledge and experience. [...]

[...] However, the intuitive rapport that you need to contact others within your environment is at least to some extent lacking. [...]

[...] When possible think of these persons also when you discover them so that in your daily waking life you can receive some more intuitional information as to the kind of work and endeavors in which you are all involved. [...]

[...] Alternate paths of experience — new possibilities and intuitive solutions — constantly appear in the dream state, so that man’s learning is not simply dependent upon a feedback system that does not allow for the insertion of creative material. [...]

(9:33.) Therefore, you cannot trust your own intuitions. [...]

[...] I am helping you in this … You are both (meaning Jane and me) peculiarly suited for such a pursuit, with a combination of intuitiveness, basic psychic facility, and yet integrated inner identities … I also want to add that I am not a control, as mediums speak of controls. [...]

(To me [Rob]:) Now I hope you will understand me intuitively, for what I have said [tonight] confounds the intellect to some considerable degree. [...]

[...] Her own intuitive experiences were accelerating, and these, she felt, were more and more outgrowing the ordinary concepts of psychology.

(Shortly after Jane finished Seven, the entire idea for what she calls “Aspect Psychology” came to her — an “intuitive construct” that she thought was large enough to contain her experience. [...]

You, Joseph, were necessary, but we had to have this particular sort of intuitive intellect that could also deal expertly with words before we could actually begin; and it took Ruburt a long time to achieve this state because his conscious problems, and family relations and preoccupation with them, held him back.

Ruburt is strongly intuitive, but basically in this life relies upon your logic and strength, and you have a good degree of both. [...]

I’m certainly not writing here about the idea of redemption in the ordinary religious sense, although I think it’s perfectly possible that in some other frameworks, larger than our taken-for-granted physical and psychological one, the idea of redemption—of understanding and embracing—may be involved in a “religious” sense, as part of an intuitive grasp of All That Is.

[...] (As for myself, while growing up I knew nothing of reincarnation beyond its name.) But we’ll be the first ones to agree that in certain Seth sessions, and in her very evocative poetry, Jane has encouraged her intuitive and creative selves to seriously discuss reincarnation. [...]

It can be seen from even this tiny quotation that Jane’s poetry reflects that same mystical, intuitive innocence before nature (and thus, ultimately, All That Is) that I tried to describe in the first essay. [...]

[...] Both the conscious and unconscious would operate far more effectively, however, under an abbreviated sleeping program, and for those involved in “creative” endeavors this kind of schedule would bring greater intuition and applied knowledge.

(10:10.) In those times, however, man identified more with his intuitive self, and with his imagination, and these to some extent more than now, directed the uses to which he put his intellect.

1. Since according to Seth something like a basic religious awareness has always been with mankind, Seth here indicates a few historical and mythological signposts of that intuitive understanding.

(9.35.) Each person knows intuitively that his or her own experiences somehow matter, and that there is a meaning, however obscured, that connects the individual with a greater creative pattern. [...]

[...] It is perfectly proper, beneficial and legitimate for him to make any intellectual investigations he chooses, concerning differences in perception in our sessions, and when he is psychically involved on his own, and all other, intuitive or intellectual studies of this sort he has in mind. [...]

[...] If he insists upon four to five hours a day of definite work, many of his problems will be solved at an intuitive level by him. [...]

[...] He was also emotionally and intuitively attuned because of his father’s visit, and in an inner state of irritability, meaning excitability, which often accompanies dissociation. [...]

The poetry is also steadily improving, and this inner increased spontaneity, that are the results directly of intuitional powers, are flowing over even into his paintings, allowing him to use knowledge that had not been previously available to him.

The painting has its conception in intuition which you achieved during your past life as a woman. [...] The intuitions and the impulse behind your creativity must be disciplined, if the creativity is to come to fruition.

[...] See the opening excerpts from the 612th session in Appendix 19, with Note 5. In that note I speculated about “what intuitive knowledge she might possess that led her to talk about” the third eye at that time. [...]

13. In retrospect we can see how the mystical Jane has always tried to intuitively penetrate the nature of reality through her art; I’ve illustrated that learning process by presenting selections from her early poetry at apropos times throughout the two volumes of “Unknown” Reality. I also gave some background information on Jane’s nature (with a poem) in Appendix 1 for Volume 1.

[...] She does not yet know how she accomplishes this, but feels intuitively that it is so.

[...] Culturally speaking, there is a strong connection with pagan intuitions, deep and meaningful, that found newer and broader expressions.