“Seth material” search engine (Jane Roberts)

[...] There is no such thing as true psychological invisibility … The physical world is dependent upon the relationship of everything from electrons to molecules to mountains to oceans, and in the scheme of reality these are all interwoven with exquisite order, spontaneity, and a logic beyond any with which you are familiar.

The topmost layer of the subconscious contains predominantly present associations, but in these are mixed and interwoven associations which have their origin elsewhere. [...]

[...] I can say the overall tone of the painting is of an orange gray, [bronze?] with other very muted colors interwoven.)

[...] In his dream, therefore, which he knew he would remember because of his training, he then added shielding fabrications, interwoven with the valid information.

Part of the reaction had to do with past conditioning, and was all interwoven. [...]

[...] Still others were so interwoven with other dream material that we just marked them as indicative of precognition and let it go at that. [...]

A combination of intuition and discipline can be used with most valid and definite results, as a tool for investigating those parts of the self which are so interwoven that they cannot be separated from the self.

[...] It goes without saying that a sense of time may or may not be interwoven in any given dream sequence, but you as the dreamer are not conscious of the physical hours that pass as you sleep.

[...] They are interwoven, and yet loosely applied.

[...] It’s been like that for all of the interwoven life forms of the poles and the tropics, of the deserts and woodlands and prairies. [...]

[...] But material awareness and bodily response to it would be impossible were it not for these internal webworks … I am saying that all exterior events, including your own bodies with their insides, all objects, all physical materializations, are the outside structures of inside ones that are composed of interior sound and invisible light, interwoven in electromagnetic patterns.

[...] But after working with Jane and the many complicated and interwoven facets of the Seth material that she produced for more than 20 years, I no longer believe in “chance” or “coincidence.” [...]