“Seth material” search engine (Jane Roberts)

[...] Suddenly intensity of all sensations deepened. [...]

[...] The blueness seems to vary in intensity, but never leaves entirely. [...]

[...] Not that all of our friends hadn’t known of Jane’s physical symptoms for some time, but that Jane, with her innocence and determination—and yes, her mystical view of temporal reality²—had for the most part refused to put herself on display, as she termed it: She felt that she should offer something better to herself and to others, even with all of the intensely creative work she’d done for herself and for others over the last 17 years.

As if manufacturing tiny, intensely personal counterparts to those large events, Jane and I finished checking the proofs for God of Jane; she resumed work on her essays, and some new poetry, for If We Live Again; I painted, answered a lot of mail, and helped her continue our private sessions. [...]

As he progressed with the series, Seth delved into Jane’s sinful self from a number of viewpoints: its birth and growth during her intense relationship with the Roman Catholic Church throughout her early years; the development of her very stubborn core beliefs; her creative dilemmas after she left the church in her late teens; the conflicts she began to experience after our marriage, involving on the one hand her sinful self and the religion she thought she’d left behind, and on the other hand science, art, writing, and the unconventional direction she discovered her natural, mystical abilities were taking via the Seth material; her growing fears of leading others astray; and the very real necessity for her—and for each individual—to achieve value fulfillment.

[...] Some people will choose ‘defective’ bodies purposely in order to focus more intensely in other areas. [...]

[...] Seth began by advising us to have a more balanced social life—to go out more and mix with people—so as to counter the intense inner activity of psychic experience. [...]

[...] Though he need not concentrate upon it then with too great an intensity, since the object itself will send out information of its own.

It is your focus, intensive, that of itself blots out other perceptions that would allow you to see that the question “What comes first?” is meaningless.

[...] The pressure manifested, of course, held our intense attention, since this is so diametrically opposed to our usual unthinking acceptance of the gravitational force. [...]

When you were both intensely involved in your projects, just finished, you let much of your inner experience slide, relatively speaking. [...]

[...] My amusement wasn’t directed at the seriousness of his material, but arose because of the intense scrutiny Seth directed at me. [...]

[...] The conscious mind focuses with a quick, limited, but intense light, perceiving from a given field of reality only certain “stimuli.” [...]

According to the intensity of the situation, now, another also desirable solution may be worked out in a probable reality. [...]

[...] We may say however that dream images have a density which is formed of electrical intensities, that are partially the result of chemical actions.

(At 8:55 as we sat for the session Jane got another flash, concerning time, that it is “intensely personal, that we create it,” from Seth. [...]

[...] The intensity of the experience made it seem that much more time had passed; both of us were surprised to realize the comparatively early hour.)

[...] The true dimensions of a divine creativity would be unendurable for any one consciousness of whatever import, and so that splendor is infinitely dimensionalized (most intensely throughout), worlds spiraling outward with each ‘moment’ of a cosmic breath; with the separation of worlds a necessity; and with individual and mass comprehension always growing at such a rate that All That Is multiplies itself at microseconds, building both pasts and futures and other time scales you do not recognize. [...]

[...] The feeling varied in intensity at times, and along with it I had the thrilling sensation in various limbs.

[...] But it is limiting only for the ultimate purpose of intense concentration of energy, resulting in a burst or expansion of this energy that has been transformed and pressurized, so to speak, into new patterns.

[...] You will of course ask me the source of the source, and I will say again that only within the framework of your intense but limited camouflage universe does such a question have meaning or validity.

[...] That intense focus that united belief systems, that tension between a sensed subjective world and the physical one, and the rarity of images to be found elsewhere, brought art into that great flowering.

[...] They increased in intensity and were kept apart from his “safer” usual thoughts.