“Seth material” search engine (Jane Roberts)

Now before we go into the messages that you were given, I give my warmest welcome over here to our renegade from New York and this jailbird over here in the corner. [...]

[...] Our cousin of Richelieu over here, however, did, and the message was repeated the following evening with a noted lack of success as far as memory was concerned. [...]

(To Arnold.) And my congratulations here to our African God for the dream which was indeed quite significant. [...]

I do not want these two newcomers over here to feel left out, so I will say welcome to both of you. [...]

I am sparing no one here, incidentally, for your benefits. [...] He felt you were being stiff-necked, and identified here.

Your own background is important here, and he picks up your past feelings, you see. [...] There is a connection here with Ruburt’s insistence on spending a part of his money on the apartment tangibly, where you could see it, and be reminded that he helped out.

Ruburt, incidentally, simply because of his nature and through no design, was of benefit to you here, since he never commented on the penis in an adverse manner.

[...] Here again, the shape of the penis.

[...] And I added a bit of sugar here and there. But if you continue here in classes, more and more you will have to give. [...]

(Class discussed whether Seth had been here before.)

Now, I have not been so social here before, and if you are not careful I shall see that you return to your dead bonfire. [...]

For how do I know as I sit here that you are not the products of my imagination? [...]

[...] The material itself, however, is the important issue here. [...] Ruburt has always been cautious here, for when I tell him of the significance of the material, then he wonders about the aspect of his own personality. [...]

As old friends occasionally meet at the marketplace, so old friends have a habit of meeting here. [...]

[...] My friend here (Rachel) thought perhaps that I would be silent, but I cannot for long remain silent. [...]

It is springtime here and I hope that all your hearts are fluttering. [...]

[...] Now, there is something here upon which I shall not dwell in class. [...] —However, I will say here that large portions of her energy are diverted to provide supportive help physically for all members of the family. [...]

[...] Now as you have known, I have been here this evening, bell and all. [...]

[...] And here we have a traveler indeed, for you travel further than most, but you do not want to remember. [...]

[...] Now you should realize that this endeavor is indeed a highly creative one, for you have here at the least, at the very least, two personalities, my own and Ruburt’s, and we dwell entirely (in) different dimensions. [...]

(To Peg: An exchange here followed which was too quick for me to get down, so it is here summarized. [...]

(To Bill G:) I was here the other evening (1/3/69)...looking over your shoulder... [...]

(I missed material in here to some large degree.)

(Much humor here, and again I missed material.)

[...] Two of you over here in the corner here (Ron and Laurie) have still to learn that you are Sumari, but it does not matter whether you accept the fact that you are Sumari or not, because you are. [...]

Now I will let you take a Seth break but remember whether you have been here many times or whether you are here for the evening, you are Sumari. [...]

[...] You are like our friend over here (Phil) nine months ago. [...]

(To Chet.) Over here, however, is what seems to be a young gentleman from a strange town who is attending class for the first time. [...]

Watching the hand in transition, changes apparent as they happened, joints and knuckles becoming very thick and large, flesh seeming to disappear so that hand became thinner otherwise,hand taking on the look of a very old woman’s, exceedingly bony, with the large, they said, exceptionally large, joints obvious; Rose frightened; Sally said the hand looked so stiff that it was here she asked me if I could bend the fingers, it was here I couldn’t answer her but did try to bend the hand; and at this point decided to give myself suggestions to come out of trance and for hand to return to normal. [...]

[...] Here Theodore said that he thought [he] saw a filmy whitish something move out from me in the same direction. In here also I concentrated on a ectoplastic arm without telling anyone and Theodore again reported without any suggestion from me that he thought he noticed a change in the same arm, and once thought it was about to rise. [...]

[...] I said, “If there’s anyone here, give us a sign,” etc.; mentioned my inexperience with physical phenomena and said that ectoplasm would be great if possible. [...]

[...] No suggestions were given as to aura here, though finally I did tell them when I had the feeling and ask if there was an aura change. [...]

If you have questions, I shall answer them but all of this is meant to show you that reality is more than you thought reality to be… I am not here as the host of a party. I am not here for your amusement or pleasure. I am here for your education and training.

[...] I am not certain here. [...]

(A break here.)

[...] There are abilities here that should be fulfilled.

(“With, now… my impression here is of a desk, or chair connected with a desk. [...] There are plenty of connections here, though some are roundabout. [...]

[...] Here with this realization the inner ego may suddenly open. [...]

[...] I am speaking generally here, to you, Joseph, applying no more to you than anyone else.

[...] These are the main ones, and I am speaking of perhaps a two-month period here.

Now I am going to do something here if you want to do it, and you must be brave and adventurous, and I am sure that you all are (much laughter). [...] Let your consciousness expand and say, “here, counterparts, I accept you—in love, in knowledge, and in understanding. [...]

[...] After a pause, Janice Simmonds said, in a tiny choked voice, “I don’t belong here. [...]

(Garbled conversation here. [...]

[...] [Jane stops here.]

[...] Very approximately here, his age—because of the hair color I am not sure—maybe 47 to 67, for his face is not old though his hair is white.

[...] Somewhat more pressure will be applied to Philip than he perhaps anticipates here. [...]

[...] Some pressure applied toward the end of February, and connection here with a Sunday, which seems strange.

[...] A brother-in-law involved here. [...]

[...] Patience and stubbornness can also be used here in this endeavor, as he used them to poor advantage to a job. Do you see my point here?

Considerable thought and contemplation should be used here, and as much energy devoted as would be given in the search for a job, for the potentials are far greater. Let Ruburt’s determination be applied here and it will meet with constructive benefits. [...]

[...] We have made several important breakthroughs here.

[...] Not a case of blocking necessarily here. [...]

[...] Here you experience concepts directly, without the need for symbolisms. Here you experience the spacious present directly. Here you have knowledge of your past personalities, and know that they exist simultaneously with your own.

[...] “I am not sure here. [...] Here I sought elaboration of Seth’s first data. [...]

The opera here though was a legitimate connection, having to do with the way the mass is sung at Mount Savior’s. The Gregorian chant is what we were after here. [...]

[...] I do not know what we want here. [...]

Now, I wish you all a good evening and I am going to be here to see how you do. [...]

[...] And, to some extent, our friend over here is correct in that you can use sensitivity sessions themselves as simply another mask, in which case you never show yourself. [...]

[...] I am referring here to many things. [...]

Now, you (to Garrett) had your strongest sense of immediacy with our friend over here, and he encountered each of you according to his own light, at the moment, as he met you. [...]

[...] Ruburt here thinks of the photographs taken in your studio, of him.” [...] Seth here mentions some test photos I took of Jane in my studio here last week. Studio is the link here with Wendell’s letter, and hence the envelope object. [...]

(The negative mention in the data is interesting, and has several connections, both here and in the rest of Seth’s data. [...] But also, negative, meaning pictures, is called to mind because Wendell’s letter deals with a group of artists who worked together in a studio, drawing comic strips, in 1941-3. In addition I personally have a studio here in the apartment, and the envelope used as object was kept in this studio. [...]

(“And a connection with an older man here.” Jane and I felt reasonably sure here that this referred to the boss of the studio at which both Wendell and I worked in 1941-3. His name is Jack Binder, and he is in his 60’s now—perhaps twenty years older than the crew of artists he had working for him. [...]

[...] Jane had seen the envelope in a casual way upon its arrival here last May, but not since then.

(The unique thing here is that this is Jane’s first session at which I was not present. [...]

[...] In quiet moments of your existence… (faster here) you will know your part in creation… uniqueness, and your own individuality (now slower), for through your own individuality what you call God expresses himself and is known.

[...] The person that you seek is here, but he is with you, and has never parted from you, and even though he continues his existence in another dimension you are not divided nor separated; and you will gain from his added development, for he will telepathically let you understand matters that you did not understand before.

In any case I greet you most heartily, and I am glad to be here. [...]

([Rob]The unique thing here is that this is Jane’s first session at which I was not present. [...]

[...] (faster here) you will know your part in creation ... [...]

[...] The person that you seek is here, but he is with you, and has never parted from you, and even though he continues his existence in another dimension you are not divided nor separated; and you will gain from his added development, for he will telepathically let you understand matters that you did not understand before. [...]

In any case I greet you most heartily, and I am glad to be here. [...]

[...] As then, we think the leaf data here refers to the garden mentioned in the poem used as object. But also we think the autumn data here grows out of the swirling data on page 55, and Seth’s attempt to get Jane to give voice to frosting. The autumn data here could have grown out of the interpretation on Jane’s part of Seth’s frosting impression.

(Another staircase interpretation here may concern our own steep flight of back stairs here at the apartment. [...]

[...] The same sort of development would not have been initiated here in a session for some time, simply because the emotional conditions would not be met. [...]

[...] Our interpretation here was that the swirling and leaves data referred to the mention of a garden in the poem used as object. [...]

[...] Now, Bega has been here as I have been here and he was calling you to look toward the corner of the room... [...]

[...] I have been here and I have not intruded, because you are learning to collect and use energy on your own. [...]

(To WL) Now I am sitting here for my portrait. [...]

[...] Your friend has been here this evening as a student, but not exactly the same kind of a student as you are...He is a practice teacher.