“Seth material” search engine (Jane Roberts)

[...] There are gradations with which you are not familiar. [...]

There are gradations and fluctuations within its activity. [...]

[...] Naturally, however, your working method is different, and is built up of an intricate series of quite complicated logical judgements involving spatial relationships—in for example particular kinds of immaculate gradations. [...]

[...] They are sent out telepathically, each gradation of such variety that you cannot now imagine it. [...]

[...] It is natural for a child to be curious about suffering, to want to know what it is, to see it—and by doing so he (or she) learns to avoid the suffering he does not want, to help others avoid suffering that they do not want, and to understand, more importantly, the gradations of emotion and sensation that are his heritage. [...]

Now: there are gradations, of course, to creativity. [...]

The gradations of intensities are so minute that it would be impossible to measure them, and yet each field contains in coded form the actual living reality of endless eons; contains what you would call the past, present, and future of unnumbered universes; contains the coded data of any and every consciousness that has been or will be, in any universe; those that have appeared to vanish, and those which, seemingly, do not yet exist. [...]

[...] And it is the infinite variety and gradations of intensity that makes all identities possible and all gestalts, all identities in terms of personalities and fields and universes. [...]

[...] The entire idea of free will involves the making of choices between various gradations of pleasurable behavior. [...]

[...] There are obviously an infinite number of gradations in the types and kinds of forms of which we have been speaking. [...]

[...] But it is sometimes almost impossible to verbally describe civilizations of scent, civilizations built upon temperature variations, alphabets of color, pressure gradations — all of these highly intimate and organized, but quite outside of verbal representation. [...]

[...] Before the Roman gods were fully formalized, there was a spectacular range of good and bad deities, with all gradations [among them], that more or less “democratically” represented the unknown but sensed, splendid and tumultuous characteristics of the human soul, and have stood for those sensed but unknown glimpses of his own reality that man was in one way or another determined to explore.

[...] The psyche, again, not only has no one sexual identification, but it is the larger psychic and psychological bank of potentials from which all gradations of sexuality emerge. [...]

[...] So there are gradations of consciousness in the waking state. [...]

(9:30.) The gradations will be less apparent before too long, and Ruburt will be able to do more and more without such obvious changes in the body—that is, they will occur, but in this period, very important ligaments have been released, and they are bound to be felt.

[...] And it contains dimensions and gradations and varieties that cannot be recorded by scientific instruments, and this comes near in its own way to the infinite varieties present within one electrical action.

[...] And any reality to you, at this time, involves emotional awareness and gradations of it. [...]

[...] There are kinds of perception with which you are not familiar, worlds in which your idea of light does not exist, where almost infinite gradations of thermal qualities are absorbed in terms of sensation, not of light.

In between excellent health and death through disease, in between wealth and perhaps gluttony, and poverty and starvation, in between a glittering social existence, the comfort of a family, and the utter loneliness of isolation, there are literally infinite variations and gradations of behavior, according to individual differences and prerogatives. [...]

[...] There are gradations and nuances of feeling and sensation that sweep through your own experience, the result of quite natural variations. [...]

When energy in its performance brings about a complete change of form, as it does when a seed seems to grow into a blade of grass, what you have here is merely such a complete difference between the gradations which you are able to perceive, that finally you are forced to admit that the thing you take to be continuous matter has somehow or other become something entirely different.