“Seth material” search engine (Jane Roberts)

When you are clear of your galleys (for Psyche), then encourage more walking.

(Yesterday while proofreading the Mass Events galleys I got the feeling that that book really bothered me, served as a focal point. [...]

[...] It can be said that such an undertaking wasn’t expected by us at this time, seeing as how we have just finished proofreading the galleys for Seth’s first book last month.

(Today Jane received the galley proofs of her ESP book, along with the original manuscript, from her publisher by special delivery. [...]

[...] The arrival of the galleys had excited her, but she felt the excitement stemmed from not from this alone, but from the manner in which they arrived from New York City. [...]

[...] Her publisher had not advised her the galleys were on the way, incidentally.

(As for myself, since I mailed the corrected galley proofs for Emir back to Delacorte Press five-and-a-half weeks ago [on April 9], I’ve been keeping up with the new sessions for Mass Events, as well as those on other general subjects and for ourselves. [...]

[...] In the episode of interest here, I saw myself back in the first century A.D.: I was an officer of rather high rank in a Roman legion, and I was aboard a small galley in the Mediterranean Sea. [...] Briefly through those eyes I looked out upon twin rows of galley slaves … I described the scene and my feelings about it to Jane, and made small, full-face and profile pen-and-ink drawings of myself as the officer. [...]

(No session was held last Wednesday while Jane worked on the James galleys. [...]

(In my letters I intend to demand that we see the version in manuscript to be published by any foreign press, or the galleys, or whatever. [...]

[...] This was off the south coast of Africa in approximately 1342 and it was not a galley but another kind of ship, a native ship, but with a high mast. [...]

(Yesterday Jane received from her publisher the galley proofs for her book of poetry, Dialogues of the Soul and Mortal Self in Time.¹ The story of that work’s creation is interwound throughout Personal Reality.

[...] Each time I’d evidently seen myself as a Roman military officer living early in the first century A.D. In the first episode I was aboard a galley in the Mediterranean; in the second, I floated face down in that sea with my hands bound behind me.

Ruburt has been intellectually involved in a strong manner with our whole relationship and experience, as he studied the galleys for his book. [...]

[...] As of now we have so far mailed the letter to Eleanor re Rich Bed; phoned the ad about a house in to the Elmira paper; obtained the paint for Jane’s workroom; put up new curtains in her room; begun inquiries about the duplication of the letter for readers who write to Jane; packaged the first six chapters of Seth’s book to mail to Tam at Prentice-Hall tomorrow; begun to check the galleys for Oversoul Seven—all of these being items on the list we made out a couple of days ago. [...]

(By coincidence—?—Seth’s book has just come back to us from Prentice-Hall for us to go over the copy editor’s suggestions before it is set in galleys, which we will see in April. [...]

(The galleys for Oversoul Seven arrived yesterday. [...]

Do I think it a “coincidence,” then, that I received the page proofs, or galleys, to check for Volume 1 of The Personal Sessions from publisher Rick Stack on September 5, 2002, when Jane died on the same day 18 years ago? [...]

But even trying to take into account all that Jane accomplished, I know that while I proofread the galleys of The Personal Sessions as Rick Stack of New Awareness Network sends them to me volume by volume, I’ll still come across material that is new to me. [...]