“Seth material” search engine (Jane Roberts)

[...] Faith in a creative, fulfilling, desired end, sustained faith, literally draws from Framework 2 all of the necessary ingredients, all of the elements however staggering in number, arranges all the details, and then inserts into Framework 1 the impulses, dreams, chance meetings, motivations, or whatever is necessary so that the desired end then falls into place as a completed pattern.

[...] The shock of birth has several consequences, however, that usually draw the personality full blast, so to speak, into physical reality. [...]

[...] Here you begin to draw into regions of consciousness in which symbols become less and less necessary, and it is a largely unpopulated area indeed. [...]

[...] It draws its main activating energy from your focusing, and according to the intensity and nature of your focus. [...]

(“I know I could try for a likeness in a drawing, of course. [...]

2. Jane spent considerable time before my birthday (I turned 58 on June 20) preparing a sketch book of poems and colored drawings as a present for me. [...]

[...] Sometimes I make a drawing also, and use that to supplement my description of the event in class.

(Following the conference with her editor late in June, Jane has devoted herself to finishing her manuscript for Adventures, while I’ve worked steadily on the diagrams for it, as well as on the drawings for Dialogues. [...]

After the experience was over I wrote a description of it, and made two pen-and-ink drawings — full-face self-portraits that hardly look like the me I know. One of the drawings is very successful, and I plan to do an oil painting from it.

It would be most handy for him after some thinking to draw up his own statements of the areas of his main concentrations. [...]

[...] The walls of our living room are hung with my paintings and drawings, some of which are framed. [...]

I suggest that they follow the lines of expansion rather than contraction, in that the personality projects itself outward toward All That Is, hence drawing upon the energy of the universe, and extending the reaches of the self.

(“Each individual mind is a storehouse of knowledge from which each person can draw, but you have been taught that all knowledge comes from the exterior world, and from the stimuli that arises from it. [...]

[...] I want him to give another suggestion for a Turkish reincarnational dream, and I want him to suggest that he see his life in context with others that are equally his own—for from them he can draw greater understanding, energy, and the knowledge that physical vitality, and mental and psychic vitality, go quite well hand in hand. [...]

[...] It is not easy, you see, to draw the line, and the species obviously puts itself in risk situations often; and often attains certain triumphs as a result.

[...] Let me briefly continue that early Seth material here: “In drawing up his list of so-called natural laws, I have said (in the 16th session) that man decided that what appeared to be cause and effect to him was, therefore, a natural law of the universe. [...]

Theoretically, certain dreams can give you a lifetime’s experience to draw upon, though the dream itself can take less than an hour in your time. [...]

[...] Hence no drawing is necessary. [...]

Even you, however, will feel more secure with a place of your own than you would with the money drawing interest in the bank. [...]

[...] You are presented with bigger-than-life situations, provided with raw material from life, given exaggerated versions so that from them you can draw the knowledge to help you answer your own questions, and the knowledge to help others whose plights may be less colorful but equally vital.

(Jane said Seth seemed to have a tremendous fount of information to draw upon as she gave the data tonight, as though he had gathered it together just for this session. [...]