“Seth material” search engine (Jane Roberts)

Now: each person chooses his parents, accepting in terms of environment and heredity a bank of various characteristics, attitudes and abilities from which he draws in physical life.

[...] You also insure your own development, and you are able to draw upon the abilities of the superself.

[...] You can draw upon knowledge that belongs to these other independent selves. [...]

[...] On the other hand, within these other systems there is a strong innovative group consciousness developing, in which identity is retained but greater inner play allowed between individuals, a large creative interchange of symbol-pools, a drawing upon mental and psychic symbols with greater facility. [...]

Here Jane paused beside Bill and picked up the first pen drawing he had made of his sighting of the apparition.

[...] I caught a glimpse of the drawing as she waved it briefly in my direction. [...]

[...] They worked mentally while asleep, constructing in their individual minds and in their joint mental endeavors (long pause) all of the dazzling images that would later become a mental reservoir from which men could draw. [...]

[...] It is also the strength of the core belief that draws up from the vast bank of inner knowledge only those events that seem to fit within its organization.

[...] Instead, you draw upon what has gone before: the experiences of your ancestors, back — in your terms now — through time immemorial.

(Certainly the Richard Bach-Eleanor Friede affair is reactivating a probability that was available, of course—or one could say that Jane decided to draw from Framework 2 those certain elements to work with in Framework 1. Interesting to see what happens.

[...] The girls would try to “pick up” an impression of the target drawing and reproduce it. I would mail my drawings to the professor at the end of the allotted time, and he could judge the hits and misses for himself.

[...] The ink will draw certain alloids from the atmosphere of the house. [...]

[...] Her pace was slow in here, and she used many gestures, drawing pictures in the air, frowning at times.)

[...] You did help transmit the information also in highly stylized drawings, and to a much lesser extent through highly stylized voice patterns that were taught to students.

Now he began to draw and sketch, and to learn how to build images in the mind that were connected to real exterior objects in the presently accepted manner. [...]

[...] I preferred the small-town life, but had about exhausted my professional options after doing medical illustrations for the local but well-known Robert Packer Hospital (some drawings won prizes in traveling exhibitions), working briefly in radio, painting signs, and so forth. [...]

[...] He was writing and drawing the Mike Hammer daily and Sunday comic strips for his friend, Mickey Spillane, and was having trouble meeting those remorseless weekly deadlines for the syndicate that distributed the feature to newspapers coast to coast. [...]

By the age of three I was already drawing—scribbling, experimenting—and began writing stories in grade school. [...]

[...] (See that last volume for my drawing of Mischa.) It took a while after the publication of The Seth Material for the first seemingly innocuous signs of conflict within Jane’s psyche—the symptoms—to appear.

When he does so he forgets to draw from subconscious energy and uses nervous energy, and is therefore somewhat depleted. [...]

[...] Such depletions minimize the ability of the inner self to draw upon all the available information from other layers of the self, concerning the field of probabilities.

(Tracing of the pencil drawing on white paper, used as the object in the 36th envelope experiment, in the 236th session for February 28,1966. Drawing executed by my boss, Harry Gottesman, at the Artistic Card Company in Elmira, NY.)

[...] In some respects Ruburt long ago developed his ability to draw upon basic energy. [...] Actually he early recognized his ability to draw upon added energy, and somewhat feared it.

[...] It is symbolism, but highly effective for that reason, and for that reason it does indeed draw out tensions and poisons.

[...] You have only to draw upon it. [...]