“Seth material” search engine (Jane Roberts)

The child emotionally was almost paralyzed with terror, hence the thyroid condition, hence also the child’s quick motions, fast, frightened responses that were desperate defense mechanisms. The new director is a figure of authority, and insists in fact upon being considered in such a light.

He is bound to set himself up as aloof and superior to the man in charge. He may be superior in many ways, but certainly not in all respects, and his disdainful reactions would naturally affect the poor new director. About him I will have something to say. Nevertheless you were right, Joseph, and certainly Ruburt’s attitude is at least partially to blame.

At the gallery, Ruburt interprets everything now between himself and the new director in terms of implied superiority or inferiority.

(The conversation then turned to the psychic societies, and to the director of the American Society. Jane and I received two brief letters from the director, concerning the Seth material, on March 23,1964 and April 23,1964. [...]

(Dr. Instream agreed with Seth’s brief sketches of Dr. Rhine and the other director. [...] On the other hand, the other director was too strict. [...]

[...] He knows Dr. Rhine and another director personally, and voiced suspicions about their methods.)

[...] The hypnotist is not necessary except as a director; and indeed in most cases such a director is necessary. [...]

[...] The inner ego however can be utilized in such a dissociated state as such a director of activities, with sufficient training. [...]

You have what you may think of then as a split action, where one portion of the self, the inner ego, is allowed to travel through the other states of action that compose the whole self, purposefully as a director, and retain the knowledge thereby received.

It is this inner director who maintains all of these functions, and who is responsible for the physical health. It is this director to whom you must communicate when health fails. [...] It is this inner director who chooses the dream symbols in such a way that they will be meaningful to all layers or areas of the subconscious, and who is responsible for the amount, rate and type of subconscious data which is given to the outer ego by means of the intuitions.

[...] They are different from the inner ego or director in that the inner ego is conscious not only of itself, but of the outer ego, and is aware of the existence of the outer world, although not too much concerned with it unless the whole self becomes jeopardized through the actions of the outer ego.

[...] We will discuss the ways in which this can be encouraged, as well as the role of the conscious mind as the director of “the soul in chemical clothes.”

He would, believe it or not, have ended up with a higher title within five years, though not of director, and it would have so soothed his inner ego that it would have settled for this. [...] However, I wanted him to make the adjustments necessary to maintain balance and outward cordiality with the director, to aid his own understanding, and so that his resignation, which I hopefully foresaw, would be relatively painless.

[...] The male figure represented the director, who offered the new position. [...]

It is the director of all the subsidiary psychological subpersonalities that form the acting-present primary personality. [...]

It is therefore the director of all activities, both in the waking and dream condition. [...]

This self is also a director of dream activities. [...]

[...] The inner ego of which we have spoken is the director of this astral identity. [...]

[...] One involved a cousin of mine whom we hardly see; the other involved the director of the other gallery in town, the Arnot, for whom Jane had worked until a couple of months before the reception at Bill’s gallery, which we now believe did take place in February.

[...] Seth also dealt rather extensively with the conflict between Jane and the director of the Arnot in the following sessions: 74, 75, 77, 79, 82, 84 and 85. [...]

[...] Our good Ruburt has amazed his new director by his sudden bubbling good spirits, and bewildering exuberance.

[...] The director is afraid to hope that this will last. [...]

We will take the personality of your director, Ruburt, if we may. [...]

(Saturday, June 13, Jane and I attended a cocktail party in honor of Dee Masters, who was leaving as director of the art gallery where Jane is employed part time. At the party we also met the new director.

[...] of Dee Masters as director, a new director is trying out for the job; the situation is thus unsettled, and Jane is not in favor of some of her new duties and is thinking seriously of leaving the job. [...]

This, plus the new director’s implied sense of superiority, adds to the difficulty. [...]

The new director does indeed have a fussy, almost womanish love of detail for detail’s sake, and this sort of mind is one with which Ruburt finds it difficult to attune when closely involved. [...]

[...] It is also conscious, and is the director of all automatic interior activity (emphatically).

Because it is intimately connected with other portions of the self it does not basically feel alienated or alone, but proudly acts as the director of the conscious mind’s focus. [...]

Now we have been speaking of the conscious mind, for it is the director of your activities physically. [...]

[...] Jane and I do not consciously remember the name of the funeral director, and at the time of the services did not see any children about. [...] The day after this session was held she confirmed that the funeral director has two young adopted daughters, one 10 years old, the other 12. [...] Jane and I cannot say whether or not we ever heard, or knew, that the funeral director had daughters, adopted or otherwise. [...]

Now somewhere there is a program director, who must take care of the entire programming. [...] Our hypothetical director will know which actors are free, which actors prefer character roles, which ones are heroes or heroines, and which smiling Don Juan always gets the girl — and in general who plays the good guys and the bad guys.

[...] Ruburt knew he could gain sufficient-enough prestige by using his abilities in other directions; by being, say, a director of a gallery, or by accepting any of a number of positions, such as teaching, that had been offered him in the past.

The ego must act therefore as a director of activity in the personality’s relationships with the physical environment. [...]

[...] The assistant to the director of the Arnot Art Gallery is not to be tampered with indeed!

[...] His ego will lap up whatever praise it needs through being an assistant to the director. [...]

[...] Then I was working for Jake Ruppenthal, my old boss at Artistic Card Company, when he was art director. [...]