“Seth material” search engine (Jane Roberts)

He would, perhaps, stick to a respect for small details if they were part of a creative concept, even perhaps the creative concept of another, as details are extremely respected by him in his poetry, where he transforms them into creative concept.

The new director does indeed have a fussy, almost womanish love of detail for detail’s sake, and this sort of mind is one with which Ruburt finds it difficult to attune when closely involved. [...]

The demand for greater, and if you will permit a personal opinion, sometimes needless attention to detail, he also construes as a hampering or further restriction, added upon the personal supervision that he is now under.

[...] We will give you more specific details at a later time with dates and names. [...]

(See my hospital notes today for details regarding my talk with Fred Kardon here at the house this morning. [...]

[...] I would like to go into more detail. [...]

[...] The form was mainly a silhouette, he said, without much detail; yet during the first monologue he obtained a strong look or glimpse of the face. [...]

[...] This time I could see in detail the changes taking place, and their end. [...]

[...] He said that the image would at intervals become quite a bit stronger, so that he could then glimpse details. [...]

[...] We didn’t push for details. [...]

For some years Jane and I devoted much work to learning the processes detailed in all of those early unpublished sessions, which were followed by her series of published books like The Seth Material, Seth Speaks, The Nature of Personal Reality, and so on. [...]

[...] He begins there, and the details necessary fall into place. [...]

[...] As I have said before, Ruburt can indeed handle details quite well, and is an excellent logical thinker.

Its workings entail cooperative ventures literally beyond your comprehension —ventures in which each life, and each detail of each life, has a purpose, a well-intended purpose, so that when it naturally seeks its own good it also increases the good of all. [...]

[...] Acts which fit in with the good-intended universe, in which basically each life and detail, seeking its good, also works for the good of all others, bring forth what you call good acts—simple enough acts which are not well-intentioned in that light, toward the self or others “do not work right.” [...]

[...] Callista’s husband Buff was killed in a car accident in southern Pennsylvania a few months ago; Jane had a vivid dream giving many details of this event the evening before it happened, although we hadn’t seen the Buffalins for some time previously. [...]

[...] Without going into personal details, she felt this was excellent data.

[...] We went over the material on their return, but some time has passed now before they found time to go over it in detail. [...]

[...] In a very short session Seth said it was related, but didn’t go into any details, so other factors are involved. [...]

[...] See my separate detailed records. [...]

[...] There were many details given—but overall the woman felt that she herself had made a bargain with God, offering her own life instead of her mother’s. The mother recovered under the most unexpected circumstances, and a short time later the daughter came down with the same symptoms. [...]

If I try too specifically to help Ruburt become consciously aware of methods he uses naturally in his creative work, he is apt to get too detailed in his physical efforts, where the creative activity you have begun of itself can carry itself along in physical areas if you allow it to.

[...] I need not be concerned with details in any way....”

[...] When you change details of any kind in your life, to some extent you change your mental images. [...]

[...] No other details need be given here, except to say that the case was a complex one.

[...] I wasn’t quick enough to ask him; I didn’t remember the details in the 689th session well enough …

(Seth here refers to the psychic experiences Joanie had been describing to us, and doesn’t go into any detail re the lettuce.

I have been speaking about the Lumanians in some detail because they are a part of your psychic heritage. [...]

[...] This is but one of many prints I made that evening; I discovered it is not easy to obtain a full print that has good overall detail.

[...] See the detailed description on page 328.

[...] This is very interesting to me personally; Jane also recalls these details. [...]

[...] We have kept detailed records, and I have made at least a sketch of most of mine. [...] We have been aware, without making any detailed analysis of our own, due to lack of time for the study necessary, that our experiences with psy-time would probably fall into certain categories.)

We will go into them all, in detail, but they will also be grouped.

[...] I will at your request, at any time, give you the details of these lives. This evening I am answering the question I believe most important, and details will follow. [...]

[...] The trip to Saratoga was a great success, and Jane did experience many of the ideas, realizations, feelings, etc., detailed above by Seth. [...]

[...] Indeed, they wouldn’t have the time or the talent to make consciously known to themselves all the details of their challenges that had made them ill to begin with. [...]

You do not need to be consciously familiar with all the details connected with Ruburt’s condition in order for him to heal himself. [...]