“Seth material” search engine (Jane Roberts)

[...] Quite original, I think, a creative accomplishment. [...]

[...] The meaning of the dream is as follows: In the beginning you and he are about to lecture or address small children, which means that you were both invoking the spontaneous, creative portions of yourselves, which in the truest sense are childlike. [...]

[...] He then discovers a newly-born puppy, fully alive, and this represents his finding and claiming the new spontaneous, creative portions of his being. [...]

The poetry allows for fullest possible creative expression in the full meaning of the word, art. [...]

The psychic experiences are then used as poetic subjects, and this cycle of creativity is always enriched as the whole personality continually develops itself and grows. [...]

Now: A strong part of the ego identity is based upon the continuity of creative achievement, which springs from the subconscious. [...]

“Three: I will remember the creative framework of existence, in which I have my being. Therefore the possibilities, potentials, seeming miracles, and joyful spontaneity of Framework 2 will be in my mind, so that the doors to creative living are open.

[...] When you think of power you think of, say, nuclear energy, or solar energy—but power is the creative energy within men’s minds that allows them to use such powers, such energies, such forces.

[...] Now the change shows in an acceleration also, in attraction toward the creative and positive which very quickly generated the birth of the helper.

These are personalities, in that they do possess consciousness, in this case built upon Ruburt’s most creative tendencies. [...]

[...] The helper represents the strongest, most creative aspects of personality, gaining greatly in ascendancy. [...]

Those sequences follow the pursuits of value fulfillment so smoothly that they can be reactivated whenever the conditions are fortunate—for even the animals are not concerned with simple survival alone, nor the plants, but with what I can only call (long pause) emotional qualities: qualities that seek a full appreciation and creative extension of those conditions of consciousness that stamp each species as itself and yet join it with all others.

(Slowly:) This all involves a lush multitudinous creativity. [...]

“Your set of problems are of the most creative kind. [...] Your full energy for work and your creative drives are released, and will be, as you creatively use and understand your problems. [...]

Earth life is seen as murky, a dim translation of greater existence, rather than portrayed as the unique, creative, living experience that it should be. [...]

“You have a relationship not only unique, the two of you, but one that also serves as a springboard for creativity. [...]

[...] It has often been thought that love-making in some way impairs creativity; in fact, it is highly conducive to all kinds of creative endeavor—a point I want to emphasize. [...]

Ruburt’s condition does not just have a physical significance, then, for either of you, but becomes intrinsically tied up with your personal philosophies, your values about creativity and self-reliance. [...]

Ruburt should definitely begin some kind of energy exercises, as I suggested last evening, and take other creative approaches toward the setting-up of the therapeutic situation—some painting or poetry or writing or whatever should be reinstigated. [...]

The natural person uses creative abilities spontaneously, and those abilities, as I have said often, will show themselves both in the area of Prentice and in the area of Ruburt’s physical condition when you allow them play and leeway. [...]

Now: We may end up with a spontaneous session now and then, but I am going to close this one—and I do want you to remember creativity, for it can allow you to spontaneously change areas of your life so easily that you wonder it had not been done before. [...]

The clocks represent on Frank’s part a creative interpretation.... [...] In a fashion it is an attempt to deal more directly with beliefs regarding time, money, and creativity. [...]

[...] A warmth that forms the very pulse of physical existence and yet is born from the devotion of our isolation; that is born from the creativity that is beyond flesh and bone, that forms fingers without feeling fingers, that forms seasons without knowing spring, that creates sand without knowing sand or ground, that creates the reality that you know without experiencing it, that forms fathers, sons and daughters and mothers without knowing what fathers and mothers and daughters and sons are, and yet from this devotion, from that creativity comes all that you know. [...]

The books will yet do far better, and your creative energies will touch on other fields, and this has already begun.

[...] Creativity was not inhibited by a certain form but (louder), in a unique way was freed from form. [...]

[...] In this area of your lives, however, and relatively speaking again, you have allowed your creative spontaneous selves some freedom. [...]

[...] Those ideas impede creativity.

Mental activity does demand more energy of one kind than does physical activity, and the reason here is a rather strange one, in that in many respects creative work demands the extra energy used in a sort of repression. [...]

[...] The impulse for such creativity within your field is mainly two-fold, although other elements may enter into it; there is the exuberant desire to express, the same desire exhibited by all energy. [...]

[...] Nevertheless there are important correlations existing between man’s creativity and the inherent impetus of all energy toward creation and innovation; for energy itself forever seeks to perfect itself in precisely this fashion.

[...] Ruburt’s psychic abilities, with my help, enable him to fulfill and develop his creative writing abilities. [...]

It is true that all spring from the same source—creativity—but the divisions between his personality’s use of those abilities, and my use of them, was not to be broken down. [...]

You must look within yourself then, for in the last analysis the beginning and the source of creativity and being reside in each individual consciousness, in the same way that each tree contains its own seed. [...]

In Ruburt’s case therefore the distrust of spontaneity was indeed reflected in all areas of his life, particularly in spontaneous activities in both physical and creative realms. [...] You are highly creative creatures. [...]

He learned, or relearned, something quite important this evening with the poetry—the feeling of spontaneity and creativity, and will be able to apply some of this now to the physical condition. [...]

[...] Strong creative health-giving elements are surfacing. [...]

2. When Jane and I married on December 27, 1954, we promised each other that neither one of us would interfere with the other’s creative approach to life, no matter what resulted from the actions we individually chose. [...] Yet as the years passed I still had to learn the obvious—that Jane’s creative powers are inextricably a part of her whole approach to life, including her symptoms. [...] Jane even agrees with me that she’s a very stubborn lady—albeit an extremely creative one—who’s determined to go her own way.

[...] I speculated that the overall revolutionary and fundamentalistic consciousness of Iran is like a creative vortex, surrounded by other great national consciousnesses that are strongly resisting its policies for their own creative religious and political reasons. [...]

[...] The creative abilities operate in the same fashion, appearing within consecutive time, but with the main work done outside of it entirely…. [...] When the projects were done, particularly with Ruburt, there was still the cultural belief that time should be so used (underlined), that creativity must be directed and disciplined to fall into the proper assembly-line time slots.

[...] Jane’s difficulties certainly inspired them, but their creativity also goes beyond our own needs. [...]

[...] They simply show that the creative elements of the self are rearroused (long pause), and almost in a luxury of inspiration they show you how they can be applied to your artwork and to other areas of your living. [...]

[...] The dream involving Magnum showed that like a detective you are making a search—only your search is in the larger area of creativity. [...]

I am certainly not a conglomeration of vaguely-defined creative aspects of Ruburt’s personality, that struggle for release. Ruburt’s own array of writings, published and unpublished, should testify that he needs no added creative outlet.

I wanted to state that whatever personal neuroses you both have, and everyone has some, you are certainly no exception, these because of the fluidity and flexibility of your subconscious makeups, have been rather efficiently used through sublimation in your own creative activities.

Luckily, and this applies to both of you, any unhealthy aspects of strong subconscious formation find access through your own creative works. [...]

[...] Developing your own abilities, whatever they may be, exploring and expanding your experience of selfhood, gives life a sense of purpose, meaning, and creative excitement — and also adds to the understanding and development of the society and the species.

[...] If you learn that lesson, then your good intent will allow you to act effectively and creatively in your private experience, and in your relationships with others. [...]

If you do this, your life will automatically be provided with excitement, natural zest and creativity, and those characteristics will be reflected outward into the social, political, economic, and scientific worlds. [...]

[...] Through the geese I want to associate Jane’s and my activities with nature rather than technology, for in nature I sense a great, sublime, ultimate peacefulness and creativity that far surpasses technology, can we but ever manage to approach an understanding of what nature really means for us physical creatures. [...]