“Seth material” search engine (Jane Roberts)

[...] Your Nebene material is excellent, and shows the development of your own abilities psychically and creatively.

Some of that understanding should flower this week, so that he grabs more fully a hold of that creative stimulus that can greatly accelerate his improvements. [...]

[...] It was a state of agony in which the powers of creativity and existence were known, but the ways to produce them were not known.

[...] This is the agony from which creativity originally was drawn, and its reflection is still seen.

All That Is, in your terms, retains memory of that state, and it serves as a constant impetus toward renewed creativity.

[...] It is for this reason that each portion of All That Is, each most minute consciousness, is endowed with the impetus toward survival, change, development and creativity. [...]

I simply want to remind you of that other level, so that you can begin—gently, now, gently—to alter your emphasis, to begin to emphasize the use of suggestion in a new creative way. I have used the word creative before, asking you both to utilize creative methods to the physical situation. [...]

[...] Your remark therefore instantly alerted him, and in spite of company coming almost immediately, and in spite of his worries generated by the projections, he did immediately use your remark in such a way that he was challenged creatively to change his approach at once.

For example, you can see this operate in terms of creativity: money comes to you now without new work involved, in terms, say, of paperback sales. [...]

[...] In terms of creativity, however, Ruburt has long been operating in Framework 2, and this session should help him make certain correlations so that he can automatically begin to use such methods in regard to his physical condition.

Creativity is its own responsibility. [...] There are gradations of creativity as there are gradations to anything else, but all will be used creatively. [...]

[...] Or the creative nature that lies within it. Violence is a distortion of a thrust toward activity and when you realize this you can use it creatively. [...]

[...] Our friend over here deliberates, which is also good, but he does not deliberate in a dry manner, but creatively. [...]

(After the experiment Sue explained the thoughts she had regarding creativity and responsibility.)

In her own creative way, Jane is doing just this; her physical symptoms are the signposts of her personal struggle, and of mine, and of our joint incomplete knowledge. [...] The varieties of consciousness springing out of this global healing process must literally be without end—always creative, always forward looking.

I learned long ago that Jane’s great creative abilities are so intimately bound up with her personal challenges that they’re inseparable. [...]

[...] When you are in a creative state knowingly, you help form the nest that you want to collect the thoughts that you want to materialize. [...]

[...] It was indeed a healing one, when he was dealing with the plasticity of events, and bringing those he wanted into better focus, by consciously drawing upon his own larger creative abilities. [...]

[...] So when the attributes of consciousness are given, creativity is largely ignored. [...] Creativity is one of the most important attributes of consciousness, then. [...]

All the richly creative original work that is done by this inner self is not unconscious. [...]

The inner ego is always aware of both aspects and is organized about its primary aspect which is creativity. [...]

The individual inner self, then, through constant massive effort of great creative intensity, cooperates with all other inner selves to form and maintain the physical reality that you know, so that physical reality is an offshoot or by-product of the highly conscious inner self.

Your father was inventive, his creativity in that line you felt dwarfed by family responsibility. Your creativity would not be. [...]

[...] Your own creativity will be vastly improved, and the exercises dealing with feelings will be invaluable to both of you.

You have never allowed yourselves creative decorating freedom here, for example, and thus denied yourselves considerable satisfaction. [...]

[...] It squashed creativity unless that creativity cowed under dogma.

It also allowed for the emergence of creativity. [...]

[...] How did creativity operate under such conditions? [...]

[...] Those events also added high drama, rich content, and provided unique creative material. [...]

The Oversoul Seven books are the result of a playful creativity, a free following of creative impetus. [...]

[...] It is most difficult to explain, since all lives are being creatively formed simultaneously. [...]

[...] One entity might focus its main energy, intent, and drive in one particular earth life, filled with incredible creativity, so that that “focus life” becomes a central core for all other existences, the foundation and the source of energy for all other lives.

[...] Other entities might spread their creativity and focus more equally over many lives. [...]

[...] So when the attributes of consciousness are given, creativity is largely ignored. [...] Creativity is one of the most important attributes and aspects of consciousness. [...]

An individual inner self, then, through constant massive effort of great creative intensity, cooperates with all other inner selves to form and maintain the physical reality that you know, so that physical reality is an offshoot or by-product of (pause), the highly conscious creative inner self. [...]

Now all the richly creative, original work that is done by this inner self is not unconscious. [...]

[...] In the deepest sense (pause), this inner self is organized about its primary aspect, which is creativity. [...]

Now I do not mean this to be merely a symbolic exercise, for though it may begin with imagination, it is based upon fact, and emanations from your consciousness and the creativity of your soul do indeed reach outward in that manner. The exercise will give you some idea of the true nature, creativity, and vitality of the soul from which you can draw your own energy and of which you are an individual and unique portion.

[...] To the extent that it realizes this, it learns to unfold in creativity, and to use those abilities that lie inherent within it.

(9:42.) Your soul therefore — the soul that you are — the soul that you are part of — that soul is a far more creative and miraculous phenomenon than you previously supposed. [...]

There are many matters here very difficult to express in words, for you are so afraid for your sense of identity that you resist the idea that the soul, for example, is an open spiritual system, a powerhouse of creativity that shoots out in all directions — and yet this is indeed the case.

[...] If you do follow my suggestions concerning Framework 2, given this evening, your own experiences will lead to other creative ideas involving Ruburt’s condition, sales, and creative activity. [...]

In your joint creativity, you sustained each other’s faith through the years. [...]

(10:41.) If your goals fit in with overall natural purposes, you can do anything at all with your consciousness, while still maintaining ordinary contact in Framework 1. (Whispering:) I suggest that perhaps once a day in as creatively playful a way as possible, without trying too hard, in naps or when you are reading your statements, or anytime, to simply try to get the feeling of Framework 2.

[...] It is highly important that you continue thinking creatively in terms of his condition, of not being afraid to believe that he can indeed walk normally.

[...] For a short period of time, Ruburt turned his creative energy, as he knows, I believe, inward rather than outward, knotted it up, misdirected it, did not focus it properly, and turned it into destructive energy.

Now all energy you see is creative energy, and constructive. [...]

[...] However he began his creative life very early as an outlet, you see, for aggressive and violent feelings. [...]

[...] This restrained violence has been excellently used for creative purposes.

Conventionally, they enjoy having what they think of as highly creative people in the neighborhood. [...] They know there are differences, but they are far more willing to see the creative aspects of your lives than you give them credit for.

[...] There is obviously, however, no contradiction between habits of subjective thought and creativity and the physical enjoyment of the body and its abilities.

[...] The body adjusts its rhythms in a quite healthy manner to your activities, and without polarized habits of thought, periods of deep creativity will automatically be followed by periods of walking, natural exercise of one kind or another, in which subjective thought and body motion are synchronized.

[...] You cannot expect to be involved in creative activity of an important sort, and at the same time see through the eyes of others.

[...] The explosive energy of a storm is highly creative. [...] A storm is part of creativity. You view it from your own perspective, and yet one individual will feel within the storm the unending cycle of creativity, and another will personify it as the work of the devil.

(9:45.) Now: From within your point of reference it is often difficult for you to perceive that all events work toward creativity, or to trust in the spontaneous creativity of your own natures. [...]

[...] On the other hand, those sparks of truth, intuition, love, joy, creativity, and accomplishment gained now, will work for you then as they do now.

What is needed is a basic trust in the nature of vitality, and faith that all elements of experience are used for a greater good, whether or not you can perceive the way in which “evil” is transmuted into creativity. [...]

We all have access to this creative consciousness, particularly in dreams and dissociated states when we are not so obsessed with physical sense data. Often, evidence of it emerges into consciousness in the guise of sudden hunches or creative inspiration.

While I’m writing this book in the three-dimensional world, for example, the source material for it comes from the other side of consciousness — that dimension that is revealed to us in dreams, inspiration, trance states and creativity. [...]

[...] (This present book is my third since the sessions began, so Seth is hardly “stealing” any of my creative energy.)

According to Seth, dreaming is a creative state of consciousness, a threshold of psychic activity in which we throw off usual restrictions to use our most basic abilities and realize our true independence from three-dimensional form. [...]

The characteristics of creativity appear most clearly in children. Creativity implies abandon within a framework that is accepted for itself, and itself only.

We have been speaking of dream events and waking reality, the nature of creativity and the formation of events. [...]

[...] Those contours will not show themselves in terms of definite mathematical-like propositions, however, but will emerge through the techniques, symbols, feelings, and desires usually attributed to creativity.

The playfulness and creativity of dreams are vastly underrated in most dream studies. [...]

[...] Again, bodily efforts are as magical, as creative, certainly, as the writing of a book or a poem (intently) — but Ruburt in the past trusted his creative abilities as if they were something he had to guard from his physical self.

(8:59.) You both believed it was quite possible to have clairvoyant dreams, out-of-body experiences, creative adventures in the arts — but to some extent both of you doubted that the same power or energy could be directed effectively in the physical realm, so-called, of bodily health, or situations of the nitty-gritty (with emphatic amusement). Again, the material is indeed dealing with a far more valid explanation for the working ways of reality than the old official beliefs — and again, we are not just (underlined) dealing with evocative, creative hypotheses.

Habitual patterns can be broken overnight with creative unpredictability, and creative unpredictability is of course one of life’s greatest characteristics. [...]

[...] Forget what you have heard, again, about what the body can and cannot do, or what must happen before such and such a performance appears, for the body itself exults in creative unpredictability, and given the chance loves to perform.

[...] You will find that they are both creative arms of your basic psychic being, and that both abilities will be sharpened and fulfilled as a result.