“Seth material” search engine (Jane Roberts)

[...] Then you learn from your own creations, and the physical mind learns by what the hand has done without calculation.

[...] The whole Christ story was such a creation.

[...] It is true that in the dream state and in some other levels of existence close to your own, there is strong individual play in the creation of images, and a magnificent use of symbolism, but all of this takes place, again, in an “objective” definite environment, an environment whose characteristics make such phenomena possible — a field of activity, then, with its own rules. [...]

[...] They are behind large issues, involved in the [Three Mile Island] nuclear fiasco, for example, and in the scientist’s idea of power and creation. [...]

[...] Such a creation, or re-creation, is obviously impossible.

[...] The poetic creation, itself art, also serves to free the personal subconscious and to transform personal material into art. [...]

[...] Within consciousness all things are incipient, and all creations are lovingly nurtured. [...]

[...] There is no reason, again, why you can’t achieve out-of-body proficiency, and when you do, you will be able to experiment with thought creations, trying out, forming, using or discarding, thought paintings. [...]

[...] You helped Ruburt in both of his creations. [...]

The smallest unit of pure energy, therefore, weighing nothing in your terms, containing within itself no mass, would hold within its own nature the propensity for the creation of matter in all of its forms, the impetus to create all possible universes. [...]

It might take you years, possibly, to thoroughly discuss all of the ramifications of that insight, but the original creation comes from Framework 2 into your time. [...]

[...] Many other systems reflect inner reality more clearly, with less distortions, but the distortions themselves are creations. [...]

Divorced from physical focus, you are in a better position to hear the Speakers, to translate their instructions, to practice with the creation of images, and to be guided in the methods of maintaining the health of the physical body. [...]

[...] Man, being a part of that inner world by reason of the nature of his own psyche, automatically has a hand in the creation of those blueprints which at another level he uses as guides.

[...] Your inner egos populate Framework 2, and deal with the actual creation of those events that are then objectified. [...]

[...] We learn by viewing our own creations, in other words. [...]

[...] Actually the senses are the channels of creation by which idea is projected into material expression.

[...] Note that much of the data concerns the three people involved in the poem’s psychic surroundings at the time of creation; and that indeed this feeling on Jane’s part overrides the data pertaining directly to the object itself in most cases tonight. [...]

[...] As stated on page 6, three people, two women and a man, were involved in the circumstances surrounding the creation of the poem used as object, on the evening of July 3,1966: Jane, Barbara and Dick. [...]

[...] From the material that you have so far you understand, I hope, that this constant creation of the physical universe is carried on by each individual in it, on a subconscious level, through the use of mechanisms which I have at least partially explained.

Now, this constant creation of the physical universe is not maintained through some localized subconscious that exists somewhere between two ears, behind the forehead. [...]

4. In the Preface for Volume 1 of Dreams, see Session 881, with its Note 1. Then I suggest a review in chapters 1 and 2 of all of the material pertinent to evolution and creationism.

[...] You each have a hand in the creation of reality as it is known. [...]