“Seth material” search engine (Jane Roberts)

[...] It pulses with the power behind all the emotions that you know … This is the warmth that … is born from the very devotion of our isolation … that creates the reality that you know, without itself experiencing it.”

[...] If the assembled atoms are all alike, an element results; if two or more different kinds of atoms combine into molecules, a compound is created.

[...] The senses within the recognizable senses perceive and create an inner world … once you exist on a particular plane you must necessarily be attuned to it while blocking out many other perceptions. [...]

[...] For each observer quite literally created from his own subconscious energy an approximation of a house, a general shape then perceived as a house, and further embellished by personal judgments.

[...] On other occasions he would write nighttimes, letting those hours by themselves create their own moods of secrecy and isolation from the social environment. [...]

[...] Obviously you read the past from the present, but you also create it from the present as well. [...]

[...] For there are various balances, or rather various delicate imbalances, which must be maintained; and there are differences also in the makeup of dream images, which are usually seen only by the dreamer, and some other more physical materializations which may be created by the semi-waking self, and under certain circumstances seen by others.

(At 8:55 as we sat for the session Jane got another flash, concerning time, that it is “intensely personal, that we create it,” from Seth. [...]

“Your dancing represented the first move away from what those images meant, and violent action was the best thing under the circumstances … a subtle transformation could have taken place in which you and Jane transferred the bulk of your personalities into the fragments you had yourselves created … and from their eyes watched yourselves across the room. [...]

“All That Is creates its reality as it goes along. [...]

[...] It focused so defensively on its own material that it was hampering its flow of creativity, while the “unacceptable” aspects of Ruburt merrily went on creating other books, not even including my own.

We here have been concerned with expectation, and the way it influences the environment, and the actual world that you create for yourself. [...]

It is the ability of such a unit of consciousness to utilize or create other forms and dimensions of itself that regulates the dimensions of the mental enclosure and of the effective self. [...]

[...] You both possessed such strong creative abilities, however, that once expressed they were bound to create attention. [...]

[...] He did his thing, but he set about creating an environment of “safety,” and he would not go outside of it. [...]

[...] You create from those conditions the experiences of your days. [...]

[...] Many of the early prints created in Europe illustrate religious subjects. [...]

Within you is the ability to change your ideas about reality and about yourself, to create a personal living experience that is fulfilling to yourself and others. [...]

[...] From the 514th session for Chapter 2 of Seth Speaks: “Consciousness is not dependent upon form, as I have said, and yet it always seeks to create form. [...]

[...] (Pause.) It is highly important that the material not be distorted then, for most communications take place on far different levels than this, so closely connected with your own system that even the most undistorted material is highly distorted, because the communicators themselves are so closely involved with camouflages, and do not realize that they create the realities which they then describe.

[...] Each individual involved had his or her own reasons for participating, and through the mass-created framework, worked out private purposes and dilemmas.