Results 101 to 120 of 578 for stemmed:creat
[...] A warmth that forms the very pulse of physical existence and yet is born from the devotion of our isolation; that is born from the creativity that is beyond flesh and bone, that forms fingers without feeling fingers, that forms seasons without knowing spring, that creates sand without knowing sand or ground, that creates the reality that you know without experiencing it, that forms fathers, sons and daughters and mothers without knowing what fathers and mothers and daughters and sons are, and yet from this devotion, from that creativity comes all that you know. [...]
What I want to emphasize here is the paranoid’s misinterpretation of innocuous personal or mass events, and to stress the ways in which physical events can be put together symbolically, so that from them a reality can be created that is almost part physical and part dream.
[...] We would like to create a sort of school—a very simple kind of school—to help anyone who seeks for it, without presuming that we have any answers, but going on the assumption that the way which has been proclaimed by many men is a good way—namely the simple way of love. I presume that you know about the idea that we have for creating such circuits. [...]
In the beginning CU’s, then, units of consciousness, existing within a divine psychological gestalt, endowed with the unimaginable creativity of that sublime identity, began themselves to create, to explore, and to fulfill those innate values by which they were characterized. [...]
[...] A man who believes life has little meaning quickly leaves life—and a meaningless existence could never produce life (intently). Nor was the universe created for one species alone, by a God who is simply a supervision of the same species—as willful and destructive as man at his worst.
[...] Man dreamed his world and then created it, and the units of consciousness first dreamed man and all of the other species that you know.
I also felt that my question grew out of Jane’s and my own recent efforts to improve our habitual thinking patterns, to draw from Framework 2 more of those elements that will help us create the daily results we really want. [...]
[...] It is also true that the dream universe is at least as familiar with your own universe as you are familiar with it; and as you tune in on it, so to speak, and while you are necessary for its survival, creating it, so does the dream universe tune in on you. So is your survival dependent upon its survival, and so does it create you as a by-product, if you are looking at your universe from the other side.
The inwardness, or inward energy which forms all these systems, is the inventive stabilizer; and yet in its search it ever creates new outlets that result in creative chaos, a lack of temporary balance which is then balanced. [...]
[...] In our earlier discussions concerning the nature of matter, we made it plain that each individual created any given material object, through use of the inner senses, and following certain rules which were mentioned.
[...] Each individual, creating, say, his version of any given chair, uses entirely different atoms and molecules in his subconscious construction of it.
[...] I couldn’t understand why she wasn’t calling upon her creative powers to her help out of the tragic situation she’s created for herself, and me. Even if I’d helped her create such a lifestyle in the past, unwittingly, I was certainly dead-set against it now, and had been for several years. [...]
[...] I certainly realize that this is hardly a scientific statement — yet the moment that All That Is conceived of a physical universe it was invisibly created, endowed with creativity, and bound to emerge.
[...] Few would agree, however, that you can learn more about the nature of the universe by examining your own creativity than you can by examining the world through instruments — and here is exquisite irony, for you create the instruments of creativity, even while at the same time you often spout theories that deny to man all but the most mechanical of reactions.
[...] Theistic evolutionists and progressive creationists, for example, try to bring the two extremes closer together through postulating various methods by which God created the world and then, while remaining hidden, either helped it to evolve to its present state in the Darwinistic tradition, or, through a series of creative acts, brought forth each succeeding “higher” form of life.
[...] They are a by-product of the learning process, created by you, in themselves quite neutral … Illness and suffering are the results of the misdirection of creative energy. [...]
Because I say that you actually create the typical camouflage patterns of your own physical universe yourselves, by use of the inner vitality of the universe in the same manner that you form a pattern with your breath on a glass pane, I do not necessarily mean that you are the creators of the universe. [...]
In a sense, painting is man’s natural attempt to create an original but coherent, mental yet physical interpretation of his own reality—and by extension to create a new version of reality for his species. [...]
[...] There is always a kind of artistic dissatisfaction that any artist feels, any true artist, with work that is completed—for the true artist is always aware of the difference between the sensed ideal and its created actualization—but that is the dimension in which the artist has his being (intently). [...]
[...] Individually and en masse, and to the extent that our human systems of perception make it possible, our species has created a world and universe built upon a very limited, repetitious creation and interpretation of internal and external data. [...]
[...] Indeed, however, Jane and I think that in ordinary terms, and for many reasons, our species long ago began creating a great deal of negative thinking and action—so much so that those qualities came to range throughout all facets of our world culture. [...]
I’m sure that in much larger terms even negativity is creative, and often in ways we cannot comprehend in our temporal reality, but I do believe that Jane’s work offers more penetrating and redeeming insights into many of those challenges we create. [...]
[...] Consciousnes had first to create the void or the dimension in which the system could exist, and also to endow that void with all the probabilities for development that have come about in your time and are to come about. [...]
[...] You, yourselves, through your own mental actions, create realities of which you are unaware, and you give birth to more than physical children.
Before, the environment was effortlessly created and perceived by man and all other living things, knowing the nature of their inner unity. [...]
[...] Its consciousness, and its reality, is within each man, and within the gods he has created. [...]
[...] Any attempt to so rigorously and precisely express inner reality is bound to be abortive, highly misleading, and in your terms sometimes dangerous; for you do create your own reality and live it according to your inner beliefs. [...]
Let me take this moment to state again that there are no devils or demons, except as you create them out of your belief. [...]
[...] Often I remind myself that each note I write in connection with the Seth books, or send to a correspondent, represents my attempt as I compose it to grasp a little bit better the interior and exterior realities I am creating for myself. [...]
You are remembering it and creating it at once, watching it grow from the attention of your own love and knowledge, and as you seem to stand at its center, so you stand at the center of all of your dreams, which then spin themselves seemingly outward.
Each painting that you create represents the death of the self that you were before you created it. [...]
Now, you see, when you paint a picture you use your physical body as a tool to create your inner idea. When you create physical matter you are not aware of doing so, but you affect energy directly in such an execution, your own attention being focused primarily in the physical system.
He actually creates his own environment, but this environment is created by him according to conceptions received telepathically now, in childhood, in infancy, and even before birth.
In comparison with a human’s construction of your cat, for example, the bug creates a limited one, but one that is nevertheless efficient and valid for his own purposes. [...]
[...] When man realizes that he himself creates his personal and universal environment in concrete terms, then he can begin to create a private and universal environment much superior to the one that is the result of haphazard and unenlightened constructions.
When man realizes that he creates his own image now, he will not find it so startling to believe that he creates other images in other times. [...]
The basis and firm groundwork of the material, and its primary contribution, lies in the concept that consciousness itself indeed creates matter, that consciousness is not imprisoned by matter but forms it, and that consciousness is not limited or bound by time or space; time and space in your terms being necessary distortions, or adopted conditions, forming a strata for physical existence.