“Seth material” search engine (Jane Roberts)

[...] It was one in which she was attempting to follow in a still-life some of the techniques I’d showed her a few days ago, when I repainted another still-life composition she’d started, and showed her how to get more opaque effects for variety; a demonstration, then, for she’d asked for “a lesson.” [...]

(Seth had the interesting comment to make that he had looked out at us from Jane’s eyes during the evening, along with Jane, and that he saw us as individuals instead of composite electromagnetic images embodying our pasts, presents, and futures. [...]

The psychological composition of the perceiving participator is therefore entirely alien to your own. [...]

To some extent, we have discussed your body and its composition of cells (in the 632nd session in Chapter Seven, for instance). [...]

Your field is contained within its own unique range of intensities, a tiny band of electrical impulses a million times smaller than any one note picked at random from the entire mass of musical composition that has been written, or ever will be written.

I have explained somewhat earlier how the gestalt ego consciousness was formed, and to some degree explained its psychic composition, but there is much more to be said here. [...]

[...] The overemphasis brings up the public image idea, so that Ruburt compares himself personally against some composite image that he imagines other people have of him. [...]

[...] You will alter the chemical composition of your body according to your beliefs about its activity through the various portions of your life.

[...] In a way dreams are of course composite behavior — mental and psychic games that suit the purposes of mind and body alike. [...]

(Long pause at 9:55.) The Christ story in the beginning was not nearly as singular and neat as it might now seem, for the finally established official Christ figure was one settled upon from endless versions of a god-man, with which man’s psyche has long been involved: He was the psychic composite, the official Christ, carrying within his psychological personage echoes of old and new gods alike—a figure barely begun, comma, to be filled out in time, although originating outside of it (again, all very intently).

[...] So you may take pictures of the shadows instead of the trees, and end up with a fine composition indeed — but one that would give you somewhat of a distorted version of inner reality. [...]

[...] The composition of the air has much to do with this, and when the seasons change there is a change in the disposition of the silt.

[...] Recently Marian’s daughter wrote what Marian considered to be an excellent composition on the poet Donne; the quality was exceptional, according to Marian, and she typed up the paper for her daughter to take to school. [...]

[...] Unless he narrows his focus and concentration to concentrate upon the present individual during a session, Seth told us he sees a composite image, an energy reality that is composed of past personalities, and in many cases also of future personalities that will be adopted by the inner self.)

[...] Matter is the result of molecular composition. [...]

[...] Your tree builds up a composite of sensations of this sort, sensing not the physical dimensions of a material object, whatever it is, but the vital psychic formation within and about it.

[...] For you, the church had little authority, but the state is vested with authority that must uphold the composite idea of reality generally held.

[...] The whole question is also relevant in cases involving automatic writing, painting, singing, musical composition, etc.

[...] Like Rembrandt had, I was painting portraits and full-figure compositions on very large canvases—even over ten feet square, say. [...]

[...] The emotions are like musical notes: the more of them you can play the richer your composition (with emphasis)—and your understanding, even when it is not fully conscious, has helped release the range of those emotional characteristics. [...]

Ruburt and you can practice by touching various objects, getting the feel of them, so that you can recognize their psychic makeup, and feel it as strongly as you feel the physical composition. [...]

[...] There is no doubt that the whole self is a composite formed by the various aspects of the personality as it is seen in the waking and dream states, and at other levels of operation.