“Seth material” search engine (Jane Roberts)

[...] She wants to check the next five chapters before sending them to Tam, who will send them to SC when he edits them, but she hasn’t done any work on them recently. [...]

[...] Do not keep checking. [...]

[...] He concluded his material by stating: “A system of checks and balances exists, however, so that in certain dreams you are made aware of these blueprints. [...]

You may take a break to check our results.

[...] [With eyes averted, I had to carry my own presents to a closet, where I deposited them until Christmas Eve.] Then late in December the page proofs for Mass Events arrived for our checking. [...]

As if manufacturing tiny, intensely personal counterparts to those large events, Jane and I finished checking the proofs for God of Jane; she resumed work on her essays, and some new poetry, for If We Live Again; I painted, answered a lot of mail, and helped her continue our private sessions. [...]

Three days later, after a final checking, I mailed Jane’s book of poetry to Tam Mossman at Prentice-Hall. [...]

[...] As she checked that book she listed several areas of her body where beneficial changes had begun to appear, as well as others that hadn’t shown any improvement. [...]

[...] The intellect, however, wants the emotions to be perhaps more respectable than they are, neater, held better in check, well-dressed. [...]

He is to check with you when he feels blue, for your more objective attitude can help him. [...]

(The page proofs for Jane’s The World View of Paul Cézanne arrived in the mail from her publisher this morning, and she’s been busy correcting them most of the day since — checking the type for errors in spelling, punctuation, omission, and so forth.)

[...] (Jane has been told that everyone at Prentice-Hall, her publishing house, “just loves” Emir.) A couple of weeks ago Sue Watkins delivered the last two chapters of the manuscript for Psyche that she’s been typing for us; we still have to check that book and finish the notes for it. [...]

[...] One instance of such data checking out concerned the Provincetown and Bill Macdonnel material of the 68th, 75th, 82nd, 83rd, and 84th sessions.

[...] Checking, she discovered that while in her usual position with her feet up, the burn coincided exactly with the edge of the seat. [...]

[...] (Pause.) In a way, some disease states help to insure the survival of the species — not by weeding out the sickly but by introducing into large numbers of individuals the conditions needed to stabilize other strains within the species that need to be checked, or to “naturally inoculate” the species against a sensed greater danger.

[...] Then I’ll need another week to go over the manuscript, with colored pens marking instructions of each page as to what copy we want set in roman [upright] type, and in italics; while doing that I’ll also check spelling, punctuation, references, dates, times—all of those mundane details so necessary in helping our publisher produce a finished, good-looking book for the marketplace.¹

[...] This would also give us a great chance to check it out over a longer period of time. [...]

[...] He is waiting for the Bantam check, which will come through. [...]

[...] The self is actually returning to more surface levels to check upon physical environment. [...]

[...] They return more frequently, however, to periods of near wakefulness in order to check their physical environment, since they are not as sure of it as adults are. [...]

[...] I made a note to check with Sue, whom we don’t see in every class anymore, since at this time she’s living outside of Elmira; I also want to see what I can find in the sessions, so that we can ask Seth to clear up any discrepancy.

[...] When I checked the 724th session, I affirmed the reason for that reaction: Seth had stated therein that Peter and I were not counterparts, although “closely enough allied so that in certain terms you ‘share’ some of the same psychic memories….” [...]

(Last Thursday I finished the final pen-and-ink drawing of the 40 I’d planned for Jane’s book of poetry, Dialogues of the Soul and Mortal Self in Time.¹ I spent Friday checking the batch, then on Saturday morning I mailed them to Tam Mossman, Jane’s editor at Prentice-Hall. [...]

[...] Check with your pendulums.

[...] They’re very easy for Jane to check, compared to those for her other books.

(Jane was sure that she’d spoken correctly in delivering the material, and checking, we found that my notes backed her up. [...]