“Seth material” search engine (Jane Roberts)

[...] (See Chapter Two.) Because of its character, consciousness, or the conscious mind, cannot be swamped by too much detail, too much information. [...]

[...] Its character is transformed, so that the “dark” qualities are seen as actually illuminating portions of conscious life, while also providing great sources of power and energy for normal ego-oriented experience.

(I have just finished an oil painting of two heads, male; one of the characters appealed greatly to Jane, and had since the beginning. [...]

[...] Your father was used as the main character, of course, because he is referred to in your notes, because you planned photographs of him in the beginning, and because in the dream he represented the disapproving portions of your own personality.

[...] There is one other character to be mentioned here: Willy, the cat, a beloved monster who is now sleeping.

He was carried along somehow in a national rebellion; a minor character in this, following soldiers, seeking for the scores of ballads.

(10:00.) The Arab was a very interesting character, by the way, and to illustrate some of the difficulties involved, I will tell you about him. [...]

Particular notice should also be taken of characters and settings and the approximate period of history in which the dream action occurs. [...]

Unknown characters within the dream action, persons unknown to you in daily life, should be given careful attention also, and the roles which they play within the dream drama. [...]

And so, if you are very innocent and a child, and you read our story, you have a pageant of characters. [...]

[...] They have not understood the eternal validity of the soul, however, in terms of its exquisite invulnerability, nor been able to hold a feeling for its unique character. [...]

[...] Some in periods of great change may also alter their character, bringing forth a certain feeling of disorientation as these unconsciously familiar symbols undergo transformation. [...]

[...] Without the loyalty that you are learning as a woman your character had serious defects. [...]

One of the reasons Jane does so well with her male characters—if you insist on notes go ahead—is that she has been a male so many times. [...]

[...] However, the character of the answers we had been receiving for some little while before this point had been reached, had changed from the type of answer Frank Watts had been giving; I recall that even then we had wondered whether some other entity than Frank Watts had become involved.

[...] At the same time through adolescence the quality of the ego had not sufficiently shown its true character as yet. [...]

[...] The character of such nonsense reminded him of the worst elements of the psychic field.

[...] In your lives you see the results of the suggestions you have given yourselves—some extraordinarily excellent, bringing about superior understanding, growth of character, achievements on both of your parts, and a comfortable living in financial terms. [...]

[...] Our hypothetical director will know which actors are free, which actors prefer character roles, which ones are heroes or heroines, and which smiling Don Juan always gets the girl — and in general who plays the good guys and the bad guys.

I am speaking again of quite practical connections here, for as energy forms matter, matter and energy are inseparable and objects obtain their character from their owners, and from the circumstances surrounding them.

[...] The development of your character and of Stephen’s would be drastically reduced.

[...] There is an association in your mind, however, between the character of Camp and your grandfather, but it is an association from this life that seems to connect them. [...]