“Seth material” search engine (Jane Roberts)

[...] I also thought I remembered cast iron grill or scroll works as decoration on the building.

[...] Ruburt was often almost indignant when presented with such evidence, but he also refused to cast it in conventionalized guise, and his own curiosity and creative abilities kept him flexible enough so that learning could take place while he maintained normal contact with the world you know.¹²

[...] Thus they cast gray shadows.

[...] In some cases, material not a part of the book was included if it seemed relevant, cast sidelights on the method of presentation, or gave insights into Seth himself. [...]

[...] I thought this might be a vague reference to the fact that Marilyn found in her handbag, Saturday night at the establishment, a group of miniature plastic castings of animals that she had made for her two-year old son. [...]

[...] Your camouflage patterns can be likened to the patterns cast by sun and shadow upon the ever-moving waves. [...]

[...] “To create them with all our negative feelings was bad enough,” I said to Sue, “but then to cast them loose on their own!”

[...] In the dream state your joys and fears talk back to you, perform, and act out the role in which you have cast them.

Ironically, as individuals and nations we talk about casting off old beliefs while cherishing them as long as possible. [...]

Easy enough to discard this or that symbol of evil, but suppose all such symbols hid some deep truth, and cast some restraining base of force that in my ignorance I still did not perceive? [...]

[...] “I was getting just now,” Jane said at 8:58, “that James called his melancholy ‘a cast of soul.’” Her eyes were closed. [...]

Since Seth obviously sees little real difference between the concepts of fields and wave/particles, I’d say that in the 775th session he cast his material in accord with the latter so as to make it as clear as possible to us who are so bound by ideas of space and time: “In those terms …” But overall the physicists discuss energy and Seth talks about consciousness — and therein, as I see it, lies the basic contrast between the two approaches to reality.

[...] Consider art as a natural phenomenon constructed by the psyche, a transspecies of perception and consciousness that changes, enlarges and expands life’s experiences and casts them in a different light, offering new opportunities for creating action and new solutions to problems by inserting new, original data.

[...] At the Sayre house I have the large oil painting I did of the sunlight streaming through the windows of the studio on a certain day early in August: the only day in the year that the ever-moving sun casts that particular intriguing pattern of light and shadow across the bare wooden floor.