1 result for (book:ur2 AND session:744 AND stemmed:creat AND stemmed:own AND stemmed:realiti)
29/57 (51%)
strands
Steffans
counterparts
Unknown
library
Displaying only most relevant fragments—original results reproduced too much of the copyrighted work.
In your reality, the “Unknown” Reality we have just finished is the only version of that manuscript. [...] When we are working on such a project here (in your reality), we are working on probable books also, and those are as real as your official one. [...] Some of these appear as subsidiary interests in your own lives, for example. [...] So we have been working on a probable “Unknown” Reality — in fact, on many probable “Unknown” Realities. Not mere versions, but variations.
[...] Speaking simply, some of us are able to hold intact the nature of our own identities while following patterns of probable realities in which we also play a part.
[...] Perhaps Seth likes some of those other versions of ourselves more than he does us. ( I didn’t ask him if I was right, though.) It might even be that his favorite Jane inhabits one probable reality, his favorite Rob another. [...] In which reality did we produce the “best” version of “Unknown” Reality? The worst? [...]
[...] My reality is far more apparent than any apparition’s. Ruburt does well because he explores so cleverly, and keeps his strands of reality in good order.6
The longer we went without class, the more Jane and I saw how much its demise paralleled the ending of “Unknown” Reality. Both events were inevitable, we came to understand; both had had their time; our regrets about the finishing of both are real, while simultaneously we heartily agree that the nature of life in this physical — or “camouflage” — reality is one of unending change and renewal. [...]
(Yesterday Jane received from her publisher the galley proofs for her book of poetry, Dialogues of the Soul and Mortal Self in Time.1 The story of that work’s creation is interwound throughout Personal Reality.
[...] Not all of his material tonight is given over to questions, however; much of the rest of it, covering matters other than those relating to “Unknown” Reality, is deleted.)
Now: In a way, it is quite difficult to tell you what I have been doing with my time (humorously emphatic) while I have been involved in the production of “Unknown” Reality — and therefore, to some extent at least, inclined toward your time.2
In a manner of speaking your experienced, practical reality is made up of events that seem entire to you, or relatively complete, while from my dimension it is apparent that your recognized events are simply portions of larger ones. [...]
In one reality, of course, the work was finished at the Foster Avenue house (in Elmira, New York). In another it was finished in Sayre (Pennsylvania).
