“Seth material” search engine (Jane Roberts)

Now: Once I gave you a recommendation, and you did not really take it.² I can foresee probabilities, but you make your own reality, and I will not take the responsibility. Taking that for granted, and knowing your characteristics, I have more to say. You may not like it.

(“You got what you wanted: answers.”

(“I know. I said before the session that if we got house material I really wanted good answers, that I’d stay out of it as much as possible. …” Jane went into the kitchen, looking for matches. All in all, I thought she was “recovering” quite easily from Seth’s data, and that she was helped here because we’d revisited the hill house today. Every so often someone wants to know about the extent to which we follow Seth’s advice or information, and I suppose a good answer is that we may decide to go along with it if it suits our conscious purposes to do so. Sometimes we don’t agree with what Seth tells us even when we know it’s good counsel. [However, Jane and I freely admit that on occasion we’ve made the wrong choice in deciding to ignore what Seth had to say; in retrospect we’ve seen that he gave out very valid material.]

(“Oh, hell, I’m getting more,” Jane laughed, coming back into the living room. She sat down. “I’ll have to say that when I ask for straight stuff, I get it.” She still looked a bit teary, but at the same time I was sure now that we’d steered away from any probable reality involving Foster Avenue — and perhaps Sayre too, I thought, considering Seth’s material at 10:15 tonight.³

Now: The hill environment is as important to your painting as the ready-made workroom in the Foster Avenue house. The very air is inspiring, so that you will paint more there even if your work area is not immediately as good. The sunny nature [of that house], regardless of what Ruburt thinks now, will help him creatively and physically — but the hill house represents a decision to face the world while maintaining certain necessary and quite reasonable conditions. It provides privacy yet openness. The hillside is not yours, yet it is your view, and it has strong evocative connections with your creative lives. A definite change in living patterns and of psychic attitude will result, that would not happen in the house on Foster Avenue.

(Then at 11:21, here presented verbatim:) Now a note: I do not want to get into family variations, but Sue Watkins picked up a variation of the Gramada family of consciousness (the Grunaargh) — quite legitimate, and at the time very good on her part.⁴ People love to make divisions. There are then what you can call subfamilies, combinations, highly creative. All divisions are simply for the purpose of organizations of consciousness. The families mix and interrelate, so that you could indeed subdivide them, but for my purpose there is little point to this.

Reading this section of “Unknown” Reality, each person should be able to feel an identification with a family. Yet he or she might also find within strong characteristics of another one, in which case the individual is in the same position as someone who is, say, part Irish and part French in physical terms.