“Seth material” search engine (Jane Roberts)

Now: The hill environment is as important to your painting as the ready-made workroom in the Foster Avenue house. The very air is inspiring, so that you will paint more there even if your work area is not immediately as good. The sunny nature [of that house], regardless of what Ruburt thinks now, will help him creatively and physically — but the hill house represents a decision to face the world while maintaining certain necessary and quite reasonable conditions. It provides privacy yet openness. The hillside is not yours, yet it is your view, and it has strong evocative connections with your creative lives. A definite change in living patterns and of psychic attitude will result, that would not happen in the house on Foster Avenue.

(Then at 11:21, here presented verbatim:) Now a note: I do not want to get into family variations, but Sue Watkins picked up a variation of the Gramada family of consciousness (the Grunaargh) — quite legitimate, and at the time very good on her part.⁴ People love to make divisions. There are then what you can call subfamilies, combinations, highly creative. All divisions are simply for the purpose of organizations of consciousness. The families mix and interrelate, so that you could indeed subdivide them, but for my purpose there is little point to this.